Posts tagged as "alberto-erede"

Gounod, Berlioz, Massenet: Arias & Duets

April 13, 2017

Unlikely in theory, fruitful in practice: for the first time on CD, Eloquence presents a duet recording of the Greek-born, French mezzo-soprano, Irma Kolassi and French-Canadian tenor, Raoul Jobin. Kolassi was no creature of the stage: her brief recording career centres around Decca recital albums which have also been newly remastered and reissued by Eloquence […]

The Voice of Cesare Siepi

September 30, 2016

In the 1950s and much of the 60s, the great bass roles in the Italian repertoire and the title part in ‘Don Giovanni’, were synonymous with the name of Cesare Siepi. Gifted with a commanding presence on stage and a firm, sonorous, pliant ‘basso cantante ‘– a true successor to the mantle of Pinza and Pasero, […]

Hilde Gueden – The Early Years

June 2, 2016

Gifted with great beauty and a natural stage presence, Hilde Gueden was unfailingly easy on the ear as well as the eye. With her creamy tone and ability to spin the silvery upper-register sonority needed for her Strauss roles, she was a natural successor to Elisabeth Schumann, Lotte Schöne and Adele Kern. Fortunately for posterity, […]

Verdi: Il trovatore (highlights)

May 26, 2016

One of the great troubadors of his time, Mario del Monaco has power, masculinity and virility to burn in his portrayal of Manrico on this recording of Trovatore. Tebaldi is a sweet and moving Leonora, excelling in such moments as ‘Tacea la notte placida’ and ‘D’amor sull’ali rosee’. Giulietta Simionato as Azucena leaves the most […]

The Best of Verdi

April 29, 2016

This compilation, drawn from the archive of ‘the Opera Company’ – Decca – boasts many of the greatest Verdi recordings ever made and features the greatest highlights of his operatic works. Here you’ll find the stars of the opera performing Overtures, Arias and Choruses from La Traviata, Aida, Luisa Miller, Otello, Nabucco, Rigoletto and Il […]

Puccini Favourites

April 29, 2016

Besides Verdi, Puccini was the other great nineteenth-century Italian opera composer. This anthology brings together favourite arias and ensemble pieces from his operas. All the most famous are represented – ‘Bohème, Butterfly, Tosca, Gianni Schicchi…’ And of course the performers are the greatest operatic stars you can think of having all on a single CD!

Verdi: Otello

March 7, 2016

Although overshadowed by the more celebrated second recording of Otello that Mario del Monaco and Renata Tebaldi made with Karajan (1960), many feel this earlier (1954) recording features both protagonists in fresher voice, and Alberto Erede and his Santa Cecilia forces really pack a punch.

Verdi: Rigoletto

March 7, 2016

Heralded by a priceless photo of Del Monaco, this classic 1954 recording of ‘Rigoletto’ is restored to the catalogue. Recorded about the same time as Erede’s ‘Otello’ sessions (also with Del Monaco and Protti), Del Monaco gives a powerful rendition of the Duke and Hilda Gueden’s crystalline purity gives Gilda all the innocence and largesse […]

Renata Tebaldi – The Early Years

March 7, 2016

In May 1946, when Milan’s venerable La Scala theatre reopened after World War II, conductor Arturo Toscanini selected Renata Tebaldi then 24, to sing music by Rossini and Verdi for that watershed concert. ‘Ah, la voce d’angelo’ – the voice of an angel – was Toscanini’s reported verdict. In her heyday, she was known as […]

Mascagni: Cavalleria Rusticana; Leoncavallo: Pagliacci

March 7, 2016

These new re-masterings cast fresh light on seminal recordings of ‘Cavalleria rusticana’ and ‘Pagliacci’ both featuring Mario del Monaco. He was in his prime when he recorded Turiddu and Canio, and his performances in both recordings could hardly be more spine-tingling. ‘Cavalleria rusticana’ was recorded in 1954 and ‘Pagliacci’ in 1953. Franco Ghione’s feeling for the lyricism […]

Verdi: Falstaff (scenes)

March 7, 2016

One of the hidden gems of the Decca catalogue is this 1963 recording of nearly an hour of highlights from Verdi’s ‘Falstaff’ conducted by Sir Edward Downes with a model cast of soloists, including Fernando Corena as the Knight and Regina Resnik in one of her signature roles, Alice Ford. What makes the recording even more […]