Georg Solti’s reading of ‘Tristan und Isolde’, is one of the most thrilling experiences of this opera on record, moving from becalmed to frenzied. The prominence of the orchestral playing – and what playing from the Vienna Philharmonic – is explained by producer John Culshaw as being very clearly indicated in the score by Wagner […]

Karl Böhm made the first complete stereo recording of Elektra in 1960 for Deutsche Grammophon and to this day it remains one of the sonically and artistically most exciting recordings of this work. Böhm knew Strauss personally (the booklet includes a delightful photo of the two of them relaxing together!) and conducted several premieres of […]