Die Frau ohne Schatten (The Woman without a Shadow) which Richard Strauss composed with his long-time collaborator, the poet Hugo von Hofmannsthal, received an unenthusiastic premiere in Vienna on 10th October 1919. Hofmannsthal’s complicated and heavily symbolic libretto was cited as one of the problems. However, it is now a standard part of the operatic […]

Karl Böhm made the first complete stereo recording of Elektra in 1960 for Deutsche Grammophon and to this day it remains one of the sonically and artistically most exciting recordings of this work. Böhm knew Strauss personally (the booklet includes a delightful photo of the two of them relaxing together!) and conducted several premieres of […]

These recordings of the voices of Inge Borkh and Ljuba Welitsch are very fine examples of the art of the dramatic soprano from the 1950s and early 1960s. Borkh acquired a considerable reputation as Aida, Tosca, Turandot, and Medea in Cherubini’s opera of the same name, as well as Leonora in Fidelio. On this anthology, […]