Favourite arias and romantic concertos by a pioneer of American operetta. Born in Dublin, Victor Herbert began his career as a cellist in Germany, playing for Eduard Strauss, for Brahms and Liszt and emigrated to the US as principal cellist of the Metropolitan Opera. It was in that capacity that he composed the second of […]
Aromatherapy, the quiet moments of classical music. And the seventh volume is a collection of music inspired by the countryside. This album takes a tour of many and varied landscapes beginning with the English countryside as seen through the eyes of Vaughan Williams, coupled with the Vienna Woods, in Johann Strauss II’s popular waltz, France’s […]
One of Kiri Te Kanawa’s rare recorded excursions into song repertoire, this consummate recital is once more restored to the Decca catalogue. Including such popular favourites as Rachmaninov’s ‘Vocalise’ and Granados’ ‘La maja y el ruiseñor’, Obradors’ wonderful ‘Cinco canciones clasicas espanolas’ and a quartet of beautiful songs by Liszt.
For their 1989 festival, the committee of the Mormon Tabernacle Choir invited Dame Kiri Te Kanawa to join the Choir and the Utah Symphony Orchestra under maestro Julius Rudel. The choice of repertoire remained open and Dame Kiri selected a highly appropriate program of inspirational works that she could share with the choir and its […]
Solti’s vigorous interpretation of Bizet’s ‘Carmen’ is represented by a generous selection of highlights and includes some of the finest singers of our generation.
In 1981, Richard Bonynge, together with an illustrious cast of singers (Joan Sutherland, Kiri Te Kanawa, et. al.) and actors (Angela Lansbury, Warren Mitchell, Michael Hordern, et. al.) went into Kingsway Hall for a recording of a new edition (by Richard Bonynge and Douglas Gamley) of John Gay’s ‘The Beggar’s Opera’. Written in 1728, it […]
While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess, she made a first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role […]
