Venerated for their perky, piquant performances and the ripe, rich Decca sound, Walter Weller’s thrilling readings of Shostakovich’s Symphonies 1 & 9 have long been on the reissue request list. Now, they appear on CD for the first time coupled with another Decca classic of earlier vintage – Martinon’s ‘Age of Gold’ suite.
This and the other two 2CD sets – 4800834 and 4800837 – represent all of Ansermet’s Prokofiev recordings for Decca (with the exception of a mono recording of the March & Scherzo from The Love for Three Oranges – the stereo version appears here).
The three 2CD Tchaikovsky/Ansermet sets represent his complete Tchaikovsky recordings for Decca.Ansermet’s recording of ‘The Nutcracker’ is in a league of its own, and many will find fascinating his own sequencing of numbers from ‘Swan Lake’ and ‘The Sleeping Beauty’. Refined, yet passionate, many of the pieces on these recordings make their first international appearance […]
The three 2-CD Tchaikovsky/Ansermet sets, The Sleeping Beauty, The Nutcracker and Swan Lake, represent his complete Tchaikovsky recordings for Decca. Ansermet’s recording of The Nutcracker is in a league of its own and many will find fascinating his own sequencing of numbers from Swan Lake and The Sleeping Beauty. Refined, yet passionate, many of the […]
The three 2CD Tchaikovsky/Ansermet sets, The Sleeping Beauty, The Nutcracker and Swan Lake, represent his complete Tchaikovsky recordings for Decca. Ansermet’s recording of The Nutcracker is in a league of its own and many will find fascinating his own sequencing of numbers from Swan Lake and The Sleeping Beauty. Refined, yet passionate, many of the […]
Making its first international appearance on CD, is Ansermet’s complete recording of a favourite ballet score – ‘Coppélia’ – its toy-box effects deliciously captured by Ansermet and the Suisse Romande. Ansermet only recorded selections from ‘Sylvia’ and they appear here, together with the rare 1960 recording of the second ‘Daphnis et Chloé’ suite which, for sheer […]
As a companion to the 2CD set of ‘Paris’ Symphonies, this CD presents the rest of Ansermet’s Haydn recordings – two symphonies (recorded in 1965), the Trumpet Concerto (dating from 1957) and as a pendant, the Hummel Trumpet Concerto (recorded in 1968). The readings are certainly on a larger scale than that which we expect […]
During the war, Falla wrote a pantomime ballet titled ‘El Corregidor y la Molinera’ (‘The Magistrate and the Miller’s Wife’) based on a novella by Pedro Antonio de Alarcón. Sergei Diaghilev, founder of the Ballets Russes, was at the 1917 premiere. Liking what he saw, Diaghilev imagined that the ballet, with modifications, would be perfect […]
Among the music Ernest Ansermet championed was that of some of his Swiss compatriots – Honegger and Martin among them. So it is appropriate that a whole CD should be devoted to Swiss composers including an LP of music by Geiser and Oboussier that has never before appeared on CD. Zara Neslova is cello soloist […]
This was the first of two recordings by Ernest Ansermet of ‘Pelléas et Mélisande’, a work he conducted several times on stage. It was made in April 1952, to mark the fiftieth anniversary of the premiere. In his liner notes, Juan Pons observes: ‘In this recording we can hear Ansermet’s best qualities: subtlety, clarity, a […]
This volume of Debussy’s orchestral works under Ernest Ansermet, brings together all of the composer’s acknowledged masterpieces together with some of the shorter pieces. The rare 1951 recording of ‘Prélude à l’après-midi d’un faune’ and the 1949 recording of the ‘Images’ make their first appearance on CD. Ansermet’s second recording of ‘La Mer’ – he also […]
The Decca Ansermet Legacy on Eloquence continues to garner the highest plaudits from publications all around the world. And the latest batch presents the maestro’s recordings of four key Austro-German Romantics: Schubert, Weber, Mendelssohn and Schumann, bringing together all of Ansermet’s Weber recordings for Decca. Weber’s overtures possess an irresistible panache, being a perfect blend […]
