It is customary – although also somewhat arbitrary – to divide Beethoven’s career into early, middle and late periods. Be that as it may, his only completed violin concerto comes from the middle period. (Beethoven had attempted a violin concerto in 1790 but only 259 bars of it survive.) He began writing it in late […]
A simply gorgeous recording of the most popular Violin romances. The recording had long been deleted from the catalogue and is now reissued with the added ‘bonus’ of the Schubert Rondo.
Overshadowed by his father, Michael Haydn penned some delectable music and here are father and son on a single disc of Violin Concertos, completed with two Mozart ‘movements’.
Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]
Stravinsky and Ansermet were synonymous. The two met in 1913, their working friendship blossomed, and in 1915, on Stravinsky’s recommendation, Ansermet became Diaghilev’s principal conductor. This meant that Ansermet was in frequent contact with the composer’s ballet scores and also gave the first performances of a number of them. He recorded The Firebird on several […]
Like the Beethoven symphonies, his concertos form a cornerstone of the standard classical repertoire and collected together here, on four discs, are all his major concertos in stellar performances. From the Haydnesque first concertos, to the serene calm, poise and beauty of the Fourth Piano Concerto and the Violin Concerto, to the swagger of the […]
In addition to recording the six Tchaikovsky symphonies for Decca with the Vienna Philharmonic, Lorin Maazel also recorded the ‘Manfred’ – a recording often singled out as one of the best made of this symphony, as well as three of the tone poems based on literary legends, two Shakespearian (Hamlet, Romeo and Juliet) and one […]
Rafael Frühbeck de Burgos’s 1965–66 recording of Spanish orchestral favourites was a huge success in its time, not only for the orchestra and conductor’s sense of colour, flamboyance and rhythmic acuity, but also for the sheer panoramic sound-spectrum with the fabled ‘Decca Sound’. Bringing together works both Spanish in origin as well as of Spanish […]
