Posts tagged as "symphonieorchester-des-bayerischen-rundfunks"

The Peter Maag Edition

January 6, 2021

Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwangler. He made his first Decca recording having lately turned 30, with the Suisse Romande […]

Fritz Wunderlich – Immortal Beloved

November 22, 2016

‘It was altogether shocking how absolutely wonderful his voice sounded … so unique, so individual, so clear and authentic – a voice that could be compared to no other.’ Rolando Villazón ‘What he did – there was no one who came close to him. I don’t think he will ever be surpassed.’ Nicolai Gedda ‘The […]

Ave Maria – Sacred Songs

April 29, 2016

A delectable – and ever popular – collection of sacred songs sung by four of the most famous female singers of our time. Includes the Bach/Gounod ‘Ave Maria’ and the Schubert ‘Ave Maria’, favourite soprano arias from Bach’s sacred works and inspiring movements from the sacred works of Bruckner, Stradella and Dvorak.

Sibelius: Tone Poems

April 22, 2016

Among the many Sibelius recordings in existence, those that have certainly been overlooked are the Okko Kamu readings of the Four Legends, Karelia Suite and two of the tone poems – The Bard and En Saga. Previously issued on a French ‘Double’ disc, they make their first significant appearance, coupled with the much-praised Sibelius readings […]

Janacek: Sinfonietta; Taras Bulba; Concertino

April 22, 2016

Together with Sir Charles Mackerras, Rafael Kubelik’s name is synonymous with the music of Janacek. Here, reissued at budget price, are his superb readings of a trio of Janacek masterpieces recorded for Deutsche Grammophon, recordings that have plenty of weight, get to the heart of the emotion of the music as well as giving it […]

Wagner Duets

March 22, 2016

Looking back at ‘Tristan und Isolde’ twenty years after its composition, Wagner told his wife Cosima: ‘My model was Romeo and Juliet – nothing but duets!’ He was invoking Bellini’s opera,’I Capuleti e i Montecchi’ which he had conducted many times as a young man. Indeed, there had been much in the Italian master’s legacy that […]

Wilhelm Kempff plays Mozart: Vol. I

March 15, 2016

‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]

Richard Strauss: Ariadne auf Naxos

March 12, 2016

On 11th June 1944, Karl Böhm conducted ‘Ariadne auf Naxos’ at the Vienna State Opera. It was, in his own words, ‘despite the dark shadows cast by the war which was already long since lost, a feast for musical Vienna’. The occasion was the 80th birthday of Richard Strauss ­which would have undoubtedly been celebrated […]

The Art of Irmgard Seefried – Vol. 2: Arias

March 10, 2016

‘If I were condemned to hear only one voice for the remainder of my life I think it might well be hers. If I wanted to be charmed, to laugh or cry I would find her the perfect companion. In her singing … we hear someone whose every utterance bespeaks natural sincerity and truthful feeling’ […]

Jean Martinon – The Deutsche Grammophon Legacy

March 10, 2016

In the vast vacuum left by Arturo Toscanini’s retirement and death, French conductors were prominent among those who dominated the orchestral scene, especially in America. One of the most gifted was Jean Francisque-Étienne Martinon (1910–1976). His complete recordings for Deutsche Grammophon (as both conductor and composer) are here collected for the first time. Conscripted into […]

The Art of Irmgard Seefried – Vol. 10: Wolf & Egk Lieder

March 10, 2016

Like so many artists from north of the Alps, Wolf was lured by the Mediterranean south, an intoxicating world of light, sensual grace and intense, often violent emotions. His ‘Spanisches Liederbuch’ of 1889–90, 34 settings of Iberian folk poems translated by Emanuel Geibel and Paul Heyse, is the finest fruit of a long-lasting fascination with […]