A unique collection, bringing together Schumann’s Concertos and concertante works, including the first international release of Ingrid Haebler’s recording of the Piano Concerto and Barenboim’s of the Konzertstück for Four Horns. The unjustly neglected Concert Pieces, Opp. 92 & 134 are given glorious readings by Ashkenazy and both the Cello and Violin Concertos receive admirable […]

The young Abbado made a handful of recordings with the Vienna Philharmonic of which this taught, sprightly reading of Beethoven’s Eighth (just listen to the orchestra’s reflexes in the finale) and the grand yet detailed vision of Bruckner’s First made just one short-lived appearance on CD. Now they return, remastered and at super-budget price.

Georg Solti’s reading of ‘Tristan und Isolde’, is one of the most thrilling experiences of this opera on record, moving from becalmed to frenzied. The prominence of the orchestral playing – and what playing from the Vienna Philharmonic – is explained by producer John Culshaw as being very clearly indicated in the score by Wagner […]

Following the warmly-embraced reissue on Decca Eloquence of Horst Stein’s reading of Bruckner’s sixth symphony, we now follow with the Second. As with the sixth, the couplings are music by Weber. Another much-requested reissue, this will be warmly welcomed by collectors and represent some of the best Bruckner performances of all time.

A stunning Wagner collection featuring all the major overtures and preludes (including the very rare and very beautiful ‘Die Feen’ – The Fairies), this collection is also noteworthy for other reasons. For a start, it brings together in a single collection the complete Decca Wagner recordings of Zubin Mehta and the complete Philips Wagner recordings […]

Kertész’ orchestral Mozart has been well documented on Eloquence with many releases appearing on CD for the first time. Now, restored to the catalogue, is his dramatic, muscular reading of the ‘Requiem’. Stretching to 79 minutes, the disc is filled out with selections from the composer’s Masonic Music, with the ‘Maurerische Trauermusik’ bearing an uncanny resemblance […]

As with his Seventh symphony, Bruckner began his Eighth without a commission and without any specific promise that it would be performed. Nowadays, it’s one of his most often performed symphonies. It also happens to be his longest symphony – one, with its sheer breath of scope, asks for the listener to adjust his or […]

While Mozart is regularly touted as a teenage wonder, experts say there’s nothing he wrote as a teenager that could rival Mendelssohn’s Octet – a work beloved of audiences and ensembles alike. One of Decca’s earliest digital recordings was of the string orchestra version of this piece by the Israel Philharmonic under Zubin Mehta. Lusciously […]

In 1958, work started on the great ‘Ring’ project with Solti and the Vienna Philharmonic at the helm of a crop of outstanding singers. For the first complete recording of Wagner’s tetralogy and for the first opera, ‘Das Rheingold’, Flagstad was engaged to sing a role she had never performed before, that of Fricka. Producer […]

The third volume of The Flagstad Recitals couples music by Wagner and Mahler. Flagstad’s LP of Wagner scenes recorded with Hans Knappertsbusch is complemented by the ‘Todesverkündigung’ from Act II of ‘Die Walküre’ with Sir Georg Solti as well as the ‘Immolation Scene’ from ‘Götterdämmerung’ from a Norwegian broadcast performance conducted by Øivin Fjeldstad. Also […]

Legendary cellist, Pierre Fournier’s stereo recording of the Dvořák Cello Concerto is well known but his earlier recording from July 1954 for Decca is largely forgotten. It’s revived in this Kubelik-led anthology also bringing back to the catalogue the conductor’s mono version of the Janáček Sinfonietta and his electrifying account of Tchaikovsky’s love poem ‘Romeo […]

Born in Vienna in April 1902, the cheery-looking Josef Krips seems to have been pre-destined to achieve eminence in the Viennese classics. He recorded with both the Wiener Philharmoniker and the key London orchestras for Decca in the 1940s, 50s and 60s and the interpretations have genuine expressive power while remaining devoid of exaggeration or […]