Posts tagged as "wiener-philharmoniker"

Brahms, Schumann: Symphonies

April 20, 2016

Born in Vienna in April 1902, the cheery-looking Josef Krips seems to have been pre-destined to achieve eminence in the Viennese classics. He recorded with both, the Wiener Philharmoniker and the key London orchestras for Decca in the 1940s, 50s and 60s and the interpretations have genuine expressive power while remaining devoid of exaggeration or […]

Haydn: Symphonies Nos. 94 & 101; Brahms: Haydn Variations

April 20, 2016

In 1961, at age 86, Pierre Monteux was appointed chief conductor with the London Symphony Orchestra on a 25-year contract. It was typical of his sense of humour that he chose to sign a contract of this length at this time in his life, but there is no doubt that the brief period he enjoyed […]

Brahms: Symphony No. 3; Weber: Overtures

April 20, 2016

During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of music by, among others, Mozart, Beethoven, Brahms Schubert and Weber. The Brahms Symphony is performed with sweep and with classical poise and the music is clearly in the Viennese players’ blood (after all, they premiered the symphony […]

Schubert: Symphonies Nos. 5 & 8; Beethoven: Symphony No. 8

April 20, 2016

During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of music by, among others, Mozart, Beethoven, Brahms and Weber. Reappearing here, for the first time on CD internationally, are his swift recordings of Beethoven’s Eighth and of two Schubert symphonies (Nos. 5 and 8). Never imposing his […]

Haydn: Die Schöpfung; Little Organ Mass

April 20, 2016

The Creation is Haydn’s masterpiece, based on a lifetime of experience and reflecting the happy confidence of the eighteenth century. Although there are moments that presage the nineteenth century, it has none of the agonising of the Romantic period. Three years from the end of the eighteenth century it is a summation and celebration of […]

Birgit Nilsson sings Wagner

April 20, 2016

Birgit Nilsson. Richard Wagner. It was an operatic marriage made in heaven that lasted for over twenty years and, thanks to recordings, continues to thrill music lovers around the world. Nilsson sang her first Wagnerian part in Stockholm. It was Senta in Der fliegende Holländer. It was greeted rapturously and throughout her long career it was […]

Kiri Te Kanawa sings Mozart

April 19, 2016

While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess, she made a first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role […]

Richard Strauss Heroines

April 19, 2016

It is often said that Richard Strauss had a lifelong love affair with the soprano voice, and it is certainly true that many of his finest operatic roles were written with that voice in mind. In addition, the quality of his writing for sopranos regularly shows their instruments off to maximum advantage. Sopranos have genuine […]

Beethoven: Symphonies Nos. 7 & 8; Prometheus Overture

April 19, 2016

In the 1960s and 70s, Claudio Abbado made several recordings for Decca – orchestral works by Mendelssohn, Beethoven and Bruckner, as well as 20th-century repertoire by Hindemith, Janácek and Prokofiev. This recording is part of that legacy and there are plenty of magical touches – real swagger in the finale of the Seventh Symphony, dashing […]

Dvorak: Symphony No. 9; Serenade for Wind Instruments

April 18, 2016

István Kertész made one of the first stereo cycles of Dvorák’s symphonies on Decca with the London Symphony Orchestra. Earlier still, in 1961, he recorded just the Ninth (‘From the New World’), with the Vienna Philharmonic – one of the tautest, most thrilling performances ever committed to disc. It is coupled here with a recording […]

Sibelius: Symphony No. 2; Karelia Suite

April 18, 2016

Pierre Monteux often bemoaned the fact that he was associated with the French and Russian repertoires, to the exclusion of music from outside of those traditions. He could hardly help it; after all, it was Monteux who conducted the first and famously chaotic performance of Stravinsky’s ‘Le Sacre du printemps‘ in 1913. Nevertheless, he recorded […]