One of Dame Joan Sutherland’s own favourite recordings, long unavailable on its own, reissued with additional material recorded at the Geneva sessions, with rarely seen photographs and a new booklet introduction. In her introduction to this reissue of Sutherland’s 1969 recording of Romantic French Arias, Fiona Janes notes that the album was made just shy […]

Mercury, Philips and Decca recordings of orchestral pops conducted by the supremely versatile Sir Charles Mackerras, including a pair of Strauss overtures new to CD. Few conductors, if any, have demonstrated the sheer versatility of Charles Mackerras. He could turn his sharp ear and his unfussy baton technique to every corner of classical repertoire, and […]

The perfect introduction to ballet music as little ballerinas take their first steps into the magical world of ballet. From sugar plums to fairy princes and skating couples to waltzing flowers, each track is carefully selected to delight young listeners.  

Is nothing sacred? The Cambridge Buskers bring their madcap humour to the greats of classical music – everything from the ‘Hallelujah Chorus’ and the ‘1812 Overture’ to Ravel’s ‘Bolero’ and the ‘Teddy Bears’ Picnic’! And not forgetting Beethoven’s Nine Symphonies in under four minutes… This 4CD set brings together the pair’s most famous albums, released […]

Beginning in 1961, Georg Solti enjoyed a ten-year tenure as Music Director of London’s Covent Garden Opera Company where he raised performance standards while giving British singers more prominence than ever before. These changes were not lost on Buckingham Palace and in 1968, Covent Garden earned the right to be renamed ‘The Royal Opera’. With […]

Ballet music was very much part of the great operas, sometimes inserted later for a bit of relief from the drama. Together with popular overtures – Rossini’s ‘Thieving Magpie’, Bizet’s ‘Carmen’ – this is a collection of some of those best-loved instrumental moments, some of which have even eclipsed the whole opera in popularity.

The Hungarian-born conductor Georg Solti (1912–1997) was one of Decca’s most prolific recording artists. Eloquence’s survey of his recordings features, in the main, some of his earliest recordings for the company. Although recorded as far back as 1960, during his tenure with the Royal Opera House, Covent Garden, Solti’s recording of ‘Gaîté parisienne’ remains one […]

Opera has entrenched itself in popular consciousness thanks to the much publicised concerts of The Three Tenors, outdoor stagings of such operatic blockbusters as ‘Aida’ and ‘Turandot’, opera concerts in the park, not to mention their ready incorporation into television advertisements – be it a British Airways aircraft floating in the clouds to the ‘Lakme’ Flower […]

With this CD, you are in possession of two very special LP recordings which form one of the most sparkling collections of its kind. In short, you have a gem. The concert going public has, alas, been deprived of this once-popular overture repertoire for too long: classical music these days has become a serious business, […]

Ballet hybrids often eclipse the originals from which they are drawn and such is the case with the music on this disc. Including such popular pieces as the ‘Can Can’ from Orpheus in the Underworld and the ‘Barcarolle’ from The Tales of Hoffman, there is possibly no better recording on the market than Solti’s Gaite […]

Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]

Since the beginning of opera, the convention of the duet, in which two characters simultaneously express their feelings, has been one of the staple ploys of musical dramatists. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between; though in the […]