Decca studio recordings made between 1947 and 1949 with the London Philharmonic Orchestra, newly compiled and remastered by Mark Obert-Thorn and including material new to CD. Decca first presented its ‘ffrr’ technology – full frequency range recording – in 1944, originally developed by the company’s engineers as a means of detecting and identifying German submarines […]
A cherishable Mozart soprano of the 1950s and 60s, celebrated with the complete reissue of a Decca recital album, newly remastered. The quality that defined Graziella Sciutti as a singer was lightness – of voice, of bearing and presence on stage. Her vivacious intelligence was no less suited to the Rossini, Bellini and Donizetti roles […]
A newly remastered, richly documented set celebrating the art of a Spanish Beethoven specialist recorded at the peak of his powers in the late 1950s. Born in Zaragoza in 1905, Eduardo del Pueyo left Spain in 1920 to enter the Paris Conservatoire but rejected the teaching of Marguerite Long outright. In thrall to Beethoven’s genius […]
The pre-eminent maestro of our day, caught in little-known studio recordings from the very beginning of his career, including first releases on CD of Beethoven and Mendelssohn recordings. In an original and valuable documentary essay which serves as the booklet note, Niek Nelissen outlines the rapid and unlikely genesis of Haitink’s career, from being rejected […]
A first CD release on Deutsche Grammophon of four concertos from a master interpreter of Mozart. Describing his experience as a youth in Hungary hearing Bruno Walter play and conduct a Mozart concerto, the Hungarian pianist, Andor Foldes, stated that all in attendance ‘were happy, so obviously happy, in the service of a higher power […]
A newly remastered collection of Decca and Philips recordings made by under-rated Dutch conductor in Austro-German classics, Eduard van Beinum, including a little-known account of Beethoven’s ‘Prometheus’ Overture. The ballet music which Beethoven wrote to complement his overture was as little-heard in 1952 as it is now. Eduard van Beinum recorded eight numbers from the complete […]
One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music both in concerts with his own salon orchestra and on Decca. A series of six 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
‘In every way the most transcendentally gifted young piano student I have heard in the last 25 years’ was Percy Grainger’s pronouncement of the young Eileen Joyce (1908–1991) when he first heard her play in 1926. From the goldfields in Western Australia whose capital city is the most remote in the world, Joyce defied incongruous and […]
One of three complementary albums which celebrate the art of the Hungarian pianist, Andor Foldes, in the music of Beethoven, this Eloquence release pairs an eventful journey through the composer’s sonatas with his excursions into shorter and lighter repertoire. Taken by itself, the release would serve as an ideal introduction to Beethoven’s piano music. Foldes […]
This one-off partnership on record between the mercurial Argentinean pianist and scholarly Italian conductor, may have looked unlikely on paper but it struck sparks in early Beethoven as the critical response at the time recognised. Martha Argerich is, as Gramophone’s reviewer acknowledged in September 1986, a brilliant technician ‘but there is also a fantastic streak […]
Among the final albums made by the late Nikolaus Harnoncourt was a history in sound of Viennese dance, the waltzes and polkas that made contemporary millionaires of the Strauss dynasty and have since travelled the world not least thanks to the Vienna Philharmonic’s New Year’s Day concert. The leader of those concerts for 25 years, […]
In a quickly released series for Deutsche Grammophon, Andor Foldes went into the studio towards the end of the 1950s with around half of Beethoven’s piano sonatas and these recordings have now been reissued by Eloquence, in many cases for the first time on CD. The solo works were complemented by two concerto recordings which […]
