The Dutchman, Arnold van Mill (1921–1996), never enjoyed the international fame of his German contemporary, Gottlob Frick or the younger Martti Talvela and Nicolai Ghiaurov. Yet at the height of his formidable powers in the 1950s and 60s, he had few rivals for rotund depth and sonority of tone (with what Hope-Wallace called ‘double bass […]

‘If I were condemned to hear only one voice for the remainder of my life I think it might well be hers. If I wanted to be charmed, to laugh or cry I would find her the perfect companion. In her singing … we hear someone whose every utterance bespeaks natural sincerity and truthful feeling’ […]