Erich Kleiber – The Complete Polydor 78s Erich Kleiber – The Complete Polydor 78s


Erich Kleiber – The Complete Polydor 78s
Erich Kleiber
Label
Deutsche Grammophon/Eloquence
Catalogue No.
484204
Barcode
4842049
Format
3-CD
Video
About
Collected for the first time – Erich Kleiber’s rare recordings with the Staatskapelle Berlin and the Berliner Philharmoniker made for Polydor/Grammophon and newly remastered for this release.

Erich Kleiber’s appointment to the musical directorship of the Staatsoper Berlin in 1923 proved to be the making of his career. Hired on the strength of a single Fidelio, he thrilled audiences and critics with performances of unparalleled vigour and intensity. He soon began recording for the short-lived Vox company (not to be confused with the later US label) but in 1926 he agreed a contract with the Grammophon label, building on his regular season of orchestral concerts which were interspersed with opera performances.

Here, newly remastered by Mark Obert-Thorn and issued complete for the first time in any format, is that Grammophon legacy of Kleiber’s Berlin years with both the Staatskapelle and the celebrated Berliner Philharmoniker. Beginning modestly enough with four of Mozart’s German dances – to fill two sides of a 78rpm record – the scope of the sessions expanded to take in complete symphonies by Beethoven (No. 2), Schubert (No. 8 ‘Unfinished’) and Dvořák (No. 9 ‘From the New World’) alongside much popular repertoire such as the incidental music to Rosamunde and A Midsummer Night’s Dream and the overtures to William Tell and Die Fledermaus.

Many of these recordings were not marketed or reviewed abroad despite their artistic excellence, but Kleiber’s 1928 account of ‘Vltava’ from Má vlast soon gained classic status. No wonder, now, when listening again to the moonlit interlude and Kleiber’s gently flowing pulse, his superb balancing of parts which transcends the limitations of the technology and makes a nonsense of his apparent reluctance to record. Alternative versions of ‘Vltava’, as well as the second take of a side from the ‘New World’ Symphony which became Kleiber’s final Grammophon album (recorded in May and August 1929) are also presented. Alan Sanders provides an extensive note, and Mark Obert-Thorn provides a background to the sources for these recordings.

As a Musical Times critic noted in 1929, Kleiber ‘has a marked predilection for spirited, graceful, charming, and vivid music’. These Grammophon records bring out the very best in him, and his gifts as a superb orchestral trainer may readily be appreciated despite the age of the recordings. The best possible sources have been unearthed, and the set is an unmissable contribution to the discography of one of the last century’s great, but sometimes overlooked, maestros.

TRACK LISTING / ARTISTS
CD 1                                                                                                                                                                                      WOLFGANG AMADEUS MOZART (1756–1791)
1 Idomeneo – Overture, KV 366
Berliner Philharmoniker
2–11 German Dances                                                                                                                                                Staatskapelle Berlin · Berliner Philharmoniker

LUDWIG VAN BEETHOVEN (1770–1827)
12–15 Symphony No. 2 in D major, Op. 36*
Staatskapelle Berlin

FRANZ SCHUBERT (1797–1828)Rosamunde – Incidental Music, D.797
16 No. 5: Entr’acte No. 3 in B flat major*
17 No. 9: Ballet Music in G major*
Staatskapelle Berlin

CD 2
FRANZ SCHUBERT (1797–1828)
1–2 Symphony No. 8 in B minor, D.759 ‘Unfinished’*
Berliner Philharmoniker

FELIX MENDELSSOHN (1809–1847)
3–5 Ein Sommernachtstraum – Incidental Music, Op. 61 (excerpts)*
Berliner Philharmoniker

GIOACHINO ROSSINI (1792–1868)
6 Guillaume Tell – Overture*
Staatskapelle BerlinHECTOR BERLIOZ (1803–1869)
7 Le Carnaval romain – Overture, Op. 9*                                                                                                            Staatskapelle Berlin

OTTO NICOLAI (1810–1849)
8 Die lustigen Weiber von WindsorOverture*
Staatskapelle Berlin

CD 3
JOHANN STRAUSS II (1825–1899)
1 Die Fledermaus – Overture*
Staatskapelle Berlin

BEDŘICH SMETANA (1824–1884)
Má vlast*
2 No. 2: Vltava 1927 recording
3 No. 2: Vltava 1928 recording
Staatskapelle Berlin

ANTONÍN DVOŘÁK (1841–1904)
4–7 Symphony No. 9 in E minor, Op. 95 ‘From the New World’
8 III Molto vivace original take of second side*
9 Slavonic Dance in C major, Op. 46 No. 1
Staatskapelle Berlin

ERICH KLEIBER

*FIRST INTERNATIONAL CD RELEASE ON DEUTSCHE GRAMMOPHON

 

Recording information
CD 1
Track 1
Recording Location: Berlin, Germany, c. April 1928
Matrix No: 1016 ½ bm
Original 78rpm Grammophon/Polydor Release: 66729Track 2-5
Recording Location: Berlin, 1926
Matrix Nos: 360 bm, 361 bm
Original 78rpm Grammophon/Polydor Release: 66532Track 6-11
Recording Location: Berlin, Germany, March 1928
Matrix Nos: 489 ½ be, 490 be, 491 be
Original 78rpm Grammophon/Polydor Releases: 66729–30

Track 12-15
Recording Location: Hochschule für Musik, Berlin-Charlottenburg, Germany, c. May 1929
Matrix Nos: 755 bi I, 756 bi I, 757 bi I, 758 bi I, 759 bi I, 760 bi I, 761 bi I, 762 bi I
Original 78rpm Grammophon/Polydor Releases: Grammophon/Polydor 66905–8

Track 16-17
Recording Location: Berlin, Germany, c. September 1927
Matrix Nos: 385 ½ bi, 386 ½ bi
Original 78rpm Grammophon/Polydor Release: 66598

CD 2
Track 1-2
Recording Location: Berlin, Germany, c. April and September 1927
Matrix Nos: 773 bm, 774 bm, 481 bm, 776 bm, 777 bm, 778 bm
Original 78rpm Grammophon/Polydor Releases: 66717–9

Track 3-5
Recording Location: Berlin, c. March 1928
Matrix Nos: 972 ½ bm, 973 bm, 974 bm, 975 bm
Original 78rpm Grammophon/Polydor Releases: 66731 (Scherzo, Wedding March), 66850

Track 6
Recording Location: Berlin, Germany, c. July 1927
Matrix Nos: 354 ½ bi, 355 bi, 356 bi, 357 bi
Original 78rpm Grammophon/Polydor Releases: 66596–7

Track 7
Recording Location: Berlin, Germany, 1927
Matrix Nos: 540 ½ bm, 541 ½ bm
Original 78rpm Grammophon/Polydor Release: 66647

Track 8
Recording Location: Berlin, Germany, c. June 1927
Matrix Nos: 337 bi, 338 ½ bi
Original 78rpm Grammophon/Polydor Release: 66556

CD 3
Track 1
Recording Location: Berlin, Germany, Spring 1927
Matrix Nos: 299 ½ bi, 300 ½ bi
Original 78rpm Grammophon/Polydor Release: 66552

Track 2
Recording Location: Berlin, Germany, c. June 1927
Matrix Nos: 626 bm, 627 bm, 628 bm
Original 78rpm Grammophon/Polydor Releases: 66652–3

Track 3
Recording Location: Berlin, c. April 1928* and Hochschule für Musik, Berlin-Charlottenburg, Germany, December 1928
Matrix Nos: 1563 bm I, 1564 ½ bm I, 1015 ½ bm*
Original 78rpm Grammophon/Polydor Releases: 66652–3

Track 4-7
Recording Location: Berlin-Charlottenburg, Hochschule für Musik, c. May and August 1929*
Matrix Nos: 773 bi I, 774 bi I, 824 bi I, 825 bi I, 826 bi I, 775 bi I, 615 ½ bi I*, 827 bi I, 828 bi I, 829 ½ bi
Original 78rpm Grammophon/Polydor Releases: 66909–13

Track 8
Recording Location: Berlin-Charlottenburg, Hochschule für Musik, c. May 1929
Matrix No: 776 bi I
Original 78rpm Grammophon/Polydor Release: 66912

Track 9
Recording Location: Berlin, Germany, c. June 1927
Matrix No: 629 bm
Original 78rpm Grammophon/Polydor Release: 66653

Mastered by Mark Obert-Thorn

Reviews

“Kleiber gives the work a spirited and vivid reading. The recording itself is a satisfying one.” Music Supervisors’ Journal, December 1930 (Smetana: Vltava)

“Kleiber is particularly fine in his readings of Mozart, and gives to these dances a lilt and swing which are infectious, and a charming grace which makes their hearing a great joy.” Music Supervisors’ Journal, March 1931 (Mozart: German Dances)

“Kleiber reads the work in an energetic and at the same time restrained fashion. He has his orchestra in splendid control, and the mechanics of reproducing are so nicely carried out that the album becomes an invaluable one in any library of symphonic music,” Music Supervisors’ Journal, December 1931 (Beethoven, Symphony No. 2)

“An energetic and vigorous recording… an admirable set from all standpoints.” Music Supervisors’ Journal, October 1932 (Dvořák: Symphony No. 9)