Eugen Jochum’s complete recordings of choral / sacred music for Philips collected together for the first time. Includes the rare Rudolf Mengelberg Magnificat. Born into a Catholic family of Bavarian musicians, Eugen Jochum was playing the organ and conducting his father’s choir as a child. Late in life he became renowned as a Bruckner specialist, […]

PhilomusicaSeveral Eloquence releases have celebrated the pellucid timbre and vivid characterisation of the British soprano’ Jennifer Vyvyan. ‘A treasury to treasure’ was the BBC Music Magazine’s verdict on ‘Songs of England’ (482 5045), a L’Oiseau Lyre recital from 1953. Four years later, she took part in the first complete recording of Purcell’s masque, ‘The Fairy […]

A pioneering L’Oiseau-Lyre recording is reissued for the first time on Decca CD. Made during February 1957 in the West Hampstead studios of Decca, this was the first-ever complete recording of ‘The Fairy Queen’. Suites and individual dances from Purcell’s masque had been played and recorded by chamber and even symphonic ensembles and songs such […]

Both Strauss’s ‘Elektra’ and Stravinsky’s ‘Oedipus Rex’ trace their lineages back to Sophocles, the Greek dramatist who lived in the fourth century BC. Both are stories of the avenging of a royal father’s murder, either by surviving family members (‘Elektra’) or by Fate or the gods themselves (‘Oedipus Rex’). Even from an early age, Georg […]

One of the peaks of the choral repertoire, the ‘St. Matthew Passion’ remains one of Bach’s most recorded (and popular) works. This recording is special, not only for its simplicity and reverential glow but also because the international cast of soloists (German, Dutch, English), all at the peak of their careers, seem so inspired and so […]

This much sought-after recording of folksong arrangements, recorded by their creator Benjamin Britten with his partner, the tenor Peter Pears in 1959 and 1961, was one of Decca’s most prized recordings. Now, after a considerable period of absence from the catalogue, it is reinstated on  Eloquence.

The names of Benjamin Britten and Peter Pears are forever linked by their personal and creative partnership. Composer and interpreter have rarely enjoyed so long-standing or fruitful relationship. They met and became friends in 1937 while going through the papers of a mutual friend who had accidentally died. Within a couple of years, they had […]

The three orchestral song cycles collected here are central to the Britten canon of recorded repertoire and whereas Pears’ other recordings of the ‘Serenade’ and ‘Les Illuminations’ (with Boyd Neel and Benjamin Britten as conductors) have been in circulation, this mono recording with Goossens receives its first and much-anticipated release on CD. All three recordings […]

Britten’s stately and clear-sighted readings of Bach’s Brandenburg Concertos begin a program that continues with a group of rarities. Much requested and finally available on CD, is the complete 1953 Opening Concert of the Aldeburgh Festival in which Britten and Imogen Holst shared the conducting honours. In addition to the anthems (in which the soloists […]

Continuing its exploration of Britten rarities,this Decca Eloquence release features Peter Pears as both tenor as well as director (of the Wilbye Consort) and the much-loved harpist Osian Ellis. While the Pears/Britten recording of Britten’s folk song arrangements is well known, the recording with Pears and Ellis is a decided rarity. Using this as a […]

An undisputed masterpiece of the Russian repertoire – Shostakovich’s Piano Quintet – is joined by the little known Prokofiev Quintet which had a vexed gestation together with a rarity from the Hungarian-born Matyas Seiber who lived most of his life in Britain. In it, Peter Pears takes the role of narrator of passages from the […]

The stunning ‘Covent Garden Anniversary Album’ released complete for the first time on CD, coupled with Solti’s firecracker accounts of Overtures and Preludes. Soloists include a range of 1960s Covent Garden stalwarts, – Carlyle, Sutherland, Veasey, Minton, Shuard, Collier, Gobbi, Evans, Pears and Ward; and conductors – Downes, Bonynge, Walton and Goodall. Nearly 160 minutes […]