These vocal works are mostly late Haydn and the performances are based on texts derived from recent scholarship.  ‘Arianna a Naxos’ was written with keyboard accompaniment; Haydn intended to orchestrate it but never got around to it. This version is a collation of two anonymous orchestrations, plus ‘vocal embellishments and cadenzas’ presumably by H. C. Robbins […]

The world’s most popular period-instrument soprano, Kirkby’s pure, crystalline sound defined how vocal music of the baroque and earlier eras should sound for a whole generation or more. A pioneer of the Early Music movement, Emma Kirkby presents an intimate concert of both familiar and rare Purcell songs. Lindsay Kemp writes: ‘Even today, nearly half […]

Mozart was brought up at the court of the Prince-Archbishop of Salzburg, and the music of the Roman Catholic liturgy was central to his early experience. Salzburg had its own ecclesiastical musical traditions, dating back well into the seventeenth century with such men as Andreas Hofer, Heinrich Biber and Georg Muffat; more immediately relevant to […]

As one of music’s greatest recyclers, Handel would have earned untold respect in our time. That he managed (largely) to achieve this so felicitously, so that whether you were listening to an aria in the context of an English oratorio or an Italian cantata it seemed intuitively ‘right’, is tribute to his skill. This collection […]

The take-over of Hungary and Czechoslovakia by their respective Communist governments a few years after the end of World War II had one curious side-effect: it proved to be the greatest event that ever occurred in the world of Haydn scholarship. In Hungary, the vast Esterházy Archives, previously closed to all except the very occasional […]

A beautiful collection of Purcell favourites, both from recent times with artists of the calibre of Emma Kirkby and Christopher Hogwood, to such Purcell champions of the mid-20th century as Benjamin Britten, whose rousing arrangement and performance of the ‘Chaconne in G minor’ is here included.

A collection of prized Decca recordings of the music of Holst, including a rare – and controversial! – recording by film score supremo Bernard Herrmann, released internationally for the first time on CD. Also included are two orchestral works (The Perfect Fool and Egdon Heath) conducted by Sir Adrian Boult, recorded in 1961 and much […]

In September 1790, following the death of his princely employer, court composer Haydn and his entire orchestra were sacked. As he was considering this change in circumstances, Haydn received an unexpected visit from Johann Peter Salomon, a German impresario based in London, who made him a tempting offer: an opera, six symphonies and twenty other […]

Arne’s Eight Harpsichord Sonatas was Christopher Hogwod’s first record for L’Oiseau-Lyre and this reissue marks its first international CD release. Whereas Arne’s career lay primarily in the theatre (his melodic gifts ensured success not only in Italianate opera but in masque and pantomime as well), an appointment in 1754 as composer to the Vauxhall Gardens […]

The Fitzwilliam Virginal Book is one of the most important collections of keyboard music of the 16th century. Recorded to accompany the Folio Society’s publication, ‘Music at Court’ (also written by Christopher Hogwood), this collection was imaginatively distributed to the Society’s members, together with suitable vintages to accompany the literary titles. To suit the music – […]

One of the key recordings ever made of French court music, this seminal recording returns to the catalogue, now with each item and/or movement individually indexed. The offerings encompass both suites and cantatas. The music – written both for and around the court life of Versailles (1697 – 1747) –  is sophisticated and elegant, taking […]

Weber’s operas surface reasonably regularly in opera companies’ repertoire around the world as do his Clarinet Concertos and Clarinet Quintet. So it is a joy to welcome to CD for the first time, a recording of his songs, specifically selected for reissue by Christopher Hogwood. It was recorded with the young Martyn Hill in 1976 […]