Some of Handel’s most magnificent and regal choral writing is collected on this CD. The most popular work on it, by far, is the Coronation Anthem ‘Zadok the Priest’. Both the Coronation Anthems and the ‘Ode for the Birthday of Queen Anne’ were written for monarchs and the opening of the ‘Ode’ with its trumpet […]
The world’s most popular period-instrument soprano, Kirkby’s pure, crystalline sound defined how vocal music of the baroque and earlier eras should sound for a whole generation or more. A pioneer of the Early Music movement, Emma Kirkby presents an intimate concert of both familiar and rare Purcell songs. Lindsay Kemp writes: ‘Even today, nearly half […]
It was common from medieval times to think of the Arts as female; in most European languages the words for them are feminine, and in pictures too they were represented as heavenly ladies, each carrying some appropriate object, and often attended by the male figures of her most famous earthly servants. The frontispiece chosen by […]
Mozart was brought up at the court of the Prince-Archbishop of Salzburg, and the music of the Roman Catholic liturgy was central to his early experience. Salzburg had its own ecclesiastical musical traditions, dating back well into the seventeenth century with such men as Andreas Hofer, Heinrich Biber and Georg Muffat; more immediately relevant to […]
As one of music’s greatest recyclers, Handel would have earned untold respect in our time. That he managed (largely) to achieve this so felicitously, so that whether you were listening to an aria in the context of an English oratorio or an Italian cantata it seemed intuitively ‘right’, is tribute to his skill. This collection […]
A beautiful collection of Purcell favourites, both from recent times with artists of the calibre of Emma Kirkby and Christopher Hogwood, to such Purcell champions of the mid-20th century as Benjamin Britten, whose rousing arrangement and performance of the ‘Chaconne in G minor’ is here included.
Anthony Rooley writes: ‘In the mid-1970s this humble lute-player had theatrical pretensions! I realised quite early on in my performing career that audiences generally needed more help to “get inside” the beautiful obscure music I was discovering and if their appetite was to be fostered, a new dimension in the manner of presentation had to […]
This set of three CDs contains the complete ‘Chansonnier Cordiforme’, perhaps the most beautiful of all surviving music manuscripts whose first owner was Jean de Montchenu (d. 1497). It was compiled during the 1470s and contains 43 songs from the preceding 30 years by Dufay, Binchois, Ockeghem, Busnoys and other composers of the time. This […]
Anthony Rooley writes: ‘Even in 1926 when Peter Warlock published his brief essay on the English Lute Songs, John Danyel was singled out as being perhaps the finest lute-song composer (John Dowland not excepted) by perceptive Warlock. Nobody believed him then and not much has changed now – but I agree with Warlock. John Danyel […]
Renaissance secular music between 1480 and 1620 is large in quantity, high in quality, rich in colour, diverse in form and very different in content from a similar time-span of any later period with which we may be more familiar. This set of four compact discs provides a comprehensive survey of sixteenth-century secular music. Composers […]
‘Jephtha’ was the last full-length composition that Handel wrote. (‘The Triumph of Time and Truth’ of 1757 was almost entirely made up of pre-existing music.) Given this fact and also that the actual writing of it was an inordinately laborious task for Handel as he fought with rapidly failing eyesight, its incomparable depth of expression […]
Anthony Rooley writes: ‘“Amorous Dialogues” perfectly describes this unusual repertoire – although the variations on the theme of erotic love familiar to all of us tells the basic story of amatory exploits, desires and dreams in fresh ways. For example, can we be expected to believe that “He” doesn’t know what a kiss is and […]
