It used to be fashionable to include the music of Lalo in concert in the mid-20th century. At the start of the 21st century, however, his works has fallen completely into neglect, in France as much as elsewhere. This is a cruel injustice for music full of sensuality and very highly inspired, quality orchestration. This unique 2CD […]

Composing and story-telling are not unrelated but Albéniz was as adept as any Scheherazade at both! For many, his masterpiece was ‘Iberia’, a set of piano pieces composed near the end of his life. It contains twelve ‘impressions’ (the composer’s word) of Spain and is organised into four books of three pieces each. Although they […]

This release gathers together – under the perceptive and sympathetic musicianship of Ernest Ansermet – a selection of music by (and refashioned by) Ottorino Respighi with a very high quotient of colour, atmosphere, rhythmic vitality and touching lyricism. ‘The Fountains of Rome’ and ‘The Pines of Rome’ are two-thirds of the composer’s Roman Trilogy (the third […]

To the delightfully muddled ‘Marriage of Figaro’-like plot of  ‘El amor brujo’, Ansermet brings an earthy sensuality and piquant wit. Ansermet recorded ‘El sombrero del tres picos’ twice and while the later recording with Teresa Berganza has rarely been out of the catalogue, this earlier mono, 1952 recording with Suzanne Danco is rare and much sought-after, not […]

In October 1880, at the age of 61, having poured out his high-spirited talent into over a hundred works for the stage, Offenbach lay exhausted on his deathbed. A strange figure wearing dark glasses and a floppy white cravat knocked at the door. It was Léonce, the comedian who had made such a big hit […]

Contrary to the imaginative view offered by many commentators, Fauré’s Requiem had nothing to do with the death of Fauré’s parents. ‘My Requiem was written for nothing,’ the composer confided to Maurice Emmanuel, ‘it was written, if I may say so, for fun.’ Ernest Ansermet recorded the piece with two stellar artists – Suzanne Danco […]

Stravinsky and Ansermet were synonymous. The two met in 1913, their working friendship blossomed, and in 1915, on Stravinsky’s recommendation, Ansermet became Diaghilev’s principal conductor. This meant that Ansermet was in frequent contact with the composer’s ballet scores and also gave the first performances of a number of them. He recorded The Firebird on several […]

The DECCA ANSERMET LEGACY has been systematically releasing the vast recorded legacy of Ernest Ansermet, a key Decca artist in the 1950s and 1960s. It has become one of the most sought-after and praised of all reissue series. The latest brings together Ansermet’s Honegger recordings, including the first international release on CD of the Symphony […]

The Eloquence/Ansermet journey continues with a much-anticipated and unique set: the early Stravinsky/Ansermet Decca discography with recordings made in the decade from 1946–1955, with, as a bonus, the hitherto unissued-on-CD recording of the Divertimento from The Fairy’s Kiss, recorded in 1962. The detailed booklet notes by Richard Kaplan are supplemented with full-page reproductions of many […]

This collection brings together rarities and surprises from the Decca/Argo Britten discography, a collection notable as much for the infrequency with which much of this music is performed as it is for the fact that many of these are world-premiere recordings of Britten’s music. The source material itself is extremely rare and virtually every recording […]