Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwangler. He made his first Decca recording having lately turned 30, with the Suisse Romande […]
Two rare L’Oiseau-Lyre recordings of French Baroque masterpieces, newly remastered and making their first appearance on CD. From the time of its foundation in 1932 by the Australian-born, Paris-adopted philanthropist Louise Hanson-Dyer, Editions de L’Oiseau-Lyre specialised in French early music as the name of the imprint implied. The company’s first complete scholarly edition a year […]
PhilomusicaSeveral Eloquence releases have celebrated the pellucid timbre and vivid characterisation of the British soprano’ Jennifer Vyvyan. ‘A treasury to treasure’ was the BBC Music Magazine’s verdict on ‘Songs of England’ (482 5045), a L’Oiseau Lyre recital from 1953. Four years later, she took part in the first complete recording of Purcell’s masque, ‘The Fairy […]
A pioneering Handel recording of the 1950s in a new digital remastering, released on Decca CD for the first time. The scholar and conductor, Anthony Lewis, was one of the early luminaries of the L’Oiseau Lyre label which became, over time, the early-music imprint of Decca. Drawing on his experience of conducting and staging Baroque […]
A pair of L’Oiseau-Lyre albums reissued together, including several items making their first appearance on Decca CD. The soprano, Jennifer Vyvyan, was taught at the Royal Academy of Music in London by Roy Henderson, coach of Kathleen Ferrier. With Henderson’s help she formed a secure technique and quickly won acclaim for both operatic and oratorio […]
An original Decca recording of the soprano, Jennifer Vyvyan, in English song repertoire, coupled with traditional folksongs with another much-loved English singer of the 1950s and 60s, Norma Procter. In the August 1953 issue of Opera magazine, the editor looked back on outstanding vocal achievements in the preceding season of opera. Drawing largely from stagings […]
A pair of L’Oiseau-Lyre albums reissued together, making their first appearance on Decca CD. As a church musician in Salzburg, the young Mozart was required to turn out a regular diet of masses and settings of the Vespers and Litanies. Sung at afternoon services on feast days, the Litany was a favourite form of Catholic […]
The role of Constanze in ‘Die Entführung aus dem Serail’ is famously one of the most demanding, not only among Mozart’s operas but in the entire dramatic coloratura repertoire. The singer should have youth on her side, yet the technique to master two long and taxing arias placed almost back to back and the emotional […]
A pioneering L’Oiseau-Lyre recording is reissued for the first time on Decca CD. Made during February 1957 in the West Hampstead studios of Decca, this was the first-ever complete recording of ‘The Fairy Queen’. Suites and individual dances from Purcell’s masque had been played and recorded by chamber and even symphonic ensembles and songs such […]
Peter Maag (1919-2001) was born in Switzerland to a musical family. After studies in theology and philosophy and an early career as a pianist, he was encouraged to conduct. In that field, his mentors included Ernest Ansermet and, above all, Wilhelm Furtwängler. His success as a conductor grew throughout the late 1940s and 50s, and […]
