Although Sutherland and Bonynge gave many memorable performances of ‘The Merry Widow’ on stage, they never recorded it completely. However, this recording – sung in English – offers a choice collection of the opera’s ‘greatest hits’, including ‘Vilja’, the famous waltz and some of the big scenes in the operetta.
Georg Solti’s reading of ‘Tristan und Isolde’, is one of the most thrilling experiences of this opera on record, moving from becalmed to frenzied. The prominence of the orchestral playing – and what playing from the Vienna Philharmonic – is explained by producer John Culshaw as being very clearly indicated in the score by Wagner […]
In 1981, Richard Bonynge, together with an illustrious cast of singers (Joan Sutherland, Kiri Te Kanawa, et. al.) and actors (Angela Lansbury, Warren Mitchell, Michael Hordern, et. al.) went into Kingsway Hall for a recording of a new edition (by Richard Bonynge and Douglas Gamley) of John Gay’s ‘The Beggar’s Opera’. Written in 1728, it […]
This is a 31-year retrospective (1956–1987) of great Wagner singing on Decca and Deutsche Grammophon featuring fourteen extracts from nine operas with seven great singers. Wagner’s heroines make for some of the most pivotal moments in his operas and this anthology highlights almost every aspect of his women – suspicious and inflexible (Fricka, here taken […]
Monteux’s Beethoven has been described as visionary. Respect for the spirit of the score, directness of expression, exceptionally well-drilled playing and a sense of untainted idealism that lay at the very heart of the composer’s vision – these are the qualities that typify Monteux’s interpretation of Beethoven. Eight of the symphonies were recorded for Decca; […]
One of the hidden gems of the Decca catalogue is this 1963 recording of nearly an hour of highlights from Verdi’s ‘Falstaff’ conducted by Sir Edward Downes with a model cast of soloists, including Fernando Corena as the Knight and Regina Resnik in one of her signature roles, Alice Ford. What makes the recording even more […]
