Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwangler. He made his first Decca recording having lately turned 30, with the Suisse Romande […]

Lovers of Richard Strauss’ music have long considered the Jerusalem disc of orchestral songs a ‘must-have’ in their collection. They are sheerly glorious – as is the ‘heldentenor’ of Siegfried Jerusalem. They are now reissued with Haitink’s searing account of ‘Death and Transfiguration’.

Ferdinando Paer (1 July 1771 – 3 May 1839) was an Italian composer of Austrian descent known for his operas and oratorios. Using the same subject matter as Beethoven did for his ‘Fidelio’, Paer’s opera is called ‘Leonora’ and received its world premiere recording under Peter Maag for Decca with a star-studded cast that included […]

2013 marked the centenary of the first performance of Schoenberg’s – if not the early 20th century’s – essay in gargantuism. The forces involved were unprecedented: in addition to the soloists (soprano, mezzo-soprano, two tenors, bass and speaker) there were three male-voice choirs and an eight-part mixed choir; and the 150-piece orchestra included 25 woodwind, […]