Through scholarship, performance and recording, Richard Bonynge has done more than any other modern-day musician to advance the cause of Daniel-François-Esprit Auber, the foremost composer of opéra-comique in nineteenth-century Paris. What he wrote was ‘Simple, joyous and unsophisticated music,’ according to Bonynge: this is his sole recording of a complete opera by Auber. ‘Le Domino […]

In October 1880, at the age of 61, having poured out his high-spirited talent into over a hundred works for the stage, Offenbach lay exhausted on his deathbed. A strange figure wearing dark glasses and a floppy white cravat knocked at the door. It was Léonce, the comedian who had made such a big hit […]