A famous Decca operatic recital, long unavailable, celebrating the thrilling voice and short-lived career of a soprano who set operatic stages alight in the late 1950s. Anita Cerquetti made only two commercial recordings both for Decca under the baton of Gianandrea Gavazzeni. In 1957, she sang the title role in a complete ‘La Gioconda‘ with […]
The first stereo recording of Ponchielli’s most famous opera, with a towering performance of the title role captured in classic Decca sound. There is more to ‘La Gioconda’ than the ‘Dance of the Hours’, more even than the hit ‘Suicidio’ aria of the ill-fated and ironically-titled Venetian ballad-singer who holds the stage. There are scenes […]
The Lyric Opera of Chicago was founded as recently as 1954 but within two years it had secured the services of many operatic stars of the day who were doubtless reassured of the quality and warmth of reception at the company by the trailblazing US debut of Maria Callas as Norma in its first season. […]
Is nothing sacred? The Cambridge Buskers bring their madcap humour to the greats of classical music – everything from the ‘Hallelujah Chorus’ and the ‘1812 Overture’ to Ravel’s ‘Bolero’ and the ‘Teddy Bears’ Picnic’! And not forgetting Beethoven’s Nine Symphonies in under four minutes… This 4CD set brings together the pair’s most famous albums, released […]
‘From Melba to Sutherland: Australian Singers on Record’ is the first-ever comprehensive survey of the recordings of Australia’s greatest singers – in a unique, new, 4CD set from Decca, complete with biographies of each of the 80 artists, rare photographs, all contained within a 68-page booklet. Why has there been such an extraordinary procession of […]
In the 1950s and much of the 60s, the great bass roles in the Italian repertoire and the title part in ‘Don Giovanni’, were synonymous with the name of Cesare Siepi. Gifted with a commanding presence on stage and a firm, sonorous, pliant ‘basso cantante ‘– a true successor to the mantle of Pinza and Pasero, […]
Beginning in 1961, Georg Solti enjoyed a ten-year tenure as Music Director of London’s Covent Garden Opera Company where he raised performance standards while giving British singers more prominence than ever before. These changes were not lost on Buckingham Palace and in 1968, Covent Garden earned the right to be renamed ‘The Royal Opera’. With […]
Ballet music was very much part of the great operas, sometimes inserted later for a bit of relief from the drama. Together with popular overtures – Rossini’s ‘Thieving Magpie’, Bizet’s ‘Carmen’ – this is a collection of some of those best-loved instrumental moments, some of which have even eclipsed the whole opera in popularity.
The stunning ‘Covent Garden Anniversary Album’ released complete for the first time on CD, coupled with Solti’s firecracker accounts of Overtures and Preludes. Soloists include a range of 1960s Covent Garden stalwarts, – Carlyle, Sutherland, Veasey, Minton, Shuard, Collier, Gobbi, Evans, Pears and Ward; and conductors – Downes, Bonynge, Walton and Goodall. Nearly 160 minutes […]
Sylvia Sass was born near Budapest, Hungary, on 12 July 1951 to a very musical family. Her mother was a coloratura soprano and her father was a high school music teacher. She made her stage debut at age fourteen in Adam’s operetta Die Nürnberger Puppe and then commenced study at the celebrated Franz Liszt Academy […]
Elena Souliotis, hailed as a successor to Maria Callas, resembled a comet that flashed brightly across the operatic scene and was all too soon extinguished. With a lifelong love of horseriding and the outdoors, she often commented that she preferred animals to people. She spent much of her childhood in the spectacular garden of her […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
