Posts tagged as "frederic-chopin"

Andante Cantabile – Cello Encores

April 29, 2016

As he explains in his liner notes for this CD, Lynn Harrell uses the voice as his point of departure for this collection of encores. They are largely reflective pieces with a bit of fun such as the unfairly forgotten Glazunov ‘Spanish Serenade’ thrown in for good measure. And this once popular disc now makes […]

Piano Encores

April 22, 2016

Jorge Bolet was an avowed Romantic, happy to relax once the serious business of his recital was over. Like Moiseiwitsch, he could be mischievously enterprising, challenging his audience to guess the composer of this or that rare poetic jewel or confection or, like Rubinstein, he could affectionately confirm and recreate their favourites. With delightful old […]

Chopin: 51 Mazurkas

April 19, 2016

Chopin’s mazurkas are unique in that they occupied him throughout the course of his career. He wrote nearly sixty of them. The first was written when he was still a teenager and the last was written in 1849, the year of his death. By the time he had completed the four mazurkas that comprise Op. […]

Wilhelm Kempff plays Chopin

March 15, 2016

‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]

Chopin: Polonaises Nos. 1-6; Mussorgsky: Pictures at an Exhibition

March 12, 2016

Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique but was also capable of great delicacy at the keyboard. The core of his repertoire was […]

Virtuoso Violin

March 7, 2016

The violinist who straddled the divide between the old ways and the new, was the Viennese virtuoso, Wolfgang Eduard Schneiderhan. He was born on 28th May 1915 and beginning violin lessons at five, he polished his technique under Sevcík and Winkler. From the 1950s onward, Schneiderhan displayed all the qualities normally associated with German musicians. […]