The sequence of Italian operas on this recording take us from the birth of opera at the end of the sixteenth century to the first flowerings of the Classical period nearly 200 years later. The extraordinary power and agility of Dmitri Hvorostovsky’s voice comes fully into its own on this recording, allowing for a richness […]
As one of music’s greatest recyclers, Handel would have earned untold respect in our time. That he managed (largely) to achieve this so felicitously, so that whether you were listening to an aria in the context of an English oratorio or an Italian cantata it seemed intuitively ‘right’, is tribute to his skill. This collection […]
As he explains in his liner notes for this CD, Lynn Harrell uses the voice as his point of departure for this collection of encores. They are largely reflective pieces with a bit of fun such as the unfairly forgotten Glazunov ‘Spanish Serenade’ thrown in for good measure. And this once popular disc now makes […]
Being born in Romania and surrounded from childhood by folk melodies and fiery popular dance music certainly helps in forming an inspired musician, provided the talent is there. In the case of the exceptionally gifted Gheorghe Zamfir, who was born to a family of vine-growers in 1941 in Gaiesti near Bucharest, these fortunate circumstances led […]
Precursor to the Baroque era, the Renaissance period in music is generally placed around 1430-1600. This collection brings together both ‘learned’ as well as ‘dance’ music and interspersing the two forms on this compilation encapsulates the spirit of this rich period, stretching from anonymous compositions to the late works of William Byrd with their close […]
Collectors’ ears will prick-up at the inclusion of the Bavarian Radio/Sir Colin Davis recording of a chorus from ‘Messiah’, otherwise unavailable.
Colin Davis recorded Handel’s ‘Messiah’ twice for Philips – in the 1960s with an English cast and then in the 1980s with British soprano and tenor soloists, a German alto and an American bass, not to mention a German orchestra and chorus. It’s a warm and voluble reading and was for a short while available […]
Kempff’s Baroque pedigree stemmed from the influence of his father also named Wilhelm Kempff and his grandfather Cantor Friedrick Kempff. Both were organists who taught the budding prodigy much of the organ’s core repertoire. In fact, Kempff’s youthful debut as an organist took place before his first recital as a pianist in 1907. With help […]
The fourth volume in ‘The Flagstad Recitals’, comprises two LPs Kirsten Flagstad made with the London Philharmonic and Sir Adrian Boult in December 1956 (Bach and Handel: CD2) and April 1957 (Sacred Songs: CD1) at London’s Kingsway Hall. The Penguin Guide to bargain Compact Discs praised the ‘sacred pops’ CD for the ‘vivid projection’ of […]
Since the beginning of opera, the convention of the duet, in which two characters simultaneously express their feelings, has been one of the staple ploys of musical dramatists. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between; though in the […]
While Handel’s Concerti Grossi are much performed and recorded, the exquisite Oboe Concertos and the grand Concerti a due cori are unfairly neglected. Bringing together both these sets of concerti, this generous 2CD set presents Neville Marriner’s Decca recordings of the former (one of his first) and Philips recordings of the latter. Included too, are […]
The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This collection brings together three of their very first recordings: ‘A Recital’, ‘A Second Recital’ and ‘Italian Concertos’, the three LPs receiving their first complete release on CD. The first […]
