“We all envied her, because all that we had to struggle so hard to achieve seemed so natural and self-evident to her because she knew how to sing from the heart” said Elisabeth Schwarzkopf of her colleague IRMGARD SEEFRIED. Collected here are Seefried’s complete recital recordings for Deutsche Grammophon as well as highlights from her […]
Astounding debuts and legendary piano treasures on disc: newly remastered albums of 21 pianists from the analogue era, including many first-ever digital transfers. Before he became a Decca icon, Vladimir Ashkenazy appeared on DG in performances recorded live at the 1955 Chopin Competition in Warsaw. Their reissue here is complemented by a Rachmaninoff sequence with […]
An Original Jackets treasury of analogue-era pianism by legendary and lesser-known names from the catalogues of American Decca and Westminster. Spanning 1950 to 1963 – Clara Haskil in Scarlatti to Guiomar Novaes in Chopin and Debussy – the recordings in this set document the end of some distinguished careers (notably Benno Moiseiwitsch and Egon Petri) […]
Collected for the first time and newly remastered, the complete Decca and L’Oiseau-Lyre recordings (1931-78) of Alfredo Campoli, including unpublished tracks and many items never reissued on Decca. Born into a family of professional musicians in 1906, Alfredo Campoli rapidly took to the violin, and before he turned eighteen, he was already secure in eleven […]
‘Jeonghwan showed us why he was the winner of the Sydney International Piano Competition in a performance that had lyricism and explosive virtuosity in equal measure,’ wrote the Sydney Arts Guide. Born in Seoul in 2000, Jeonghwan Kim began playing the piano at the age of six. In the following years, his numerous first prizes […]
The most comprehensive collection ever issued of the recorded art of Herman Krebbers (1923–2018) featuring the great Dutch violinist as concerto soloist, chamber musician and concert master and issued to mark the centenary of his birth. An original jackets collection of a much-loved musician, with an introduction by Bernard Haitink, written shortly before his death. […]
Compiled here for the first time are all of Elly Ameling’s Bach recordings for both Decca and Philips: an ‘original jackets’ treasury of Cantatas, Passions and oratorios which would make a first-rate introduction to the composer’s sacred music, but which for the more experienced listener holds vocal glories in store, and also takes the changing […]
The second volume of Sir Adrian Boult’s Decca legacy brings together the conductor’s Messiah recordings of 1954 and 1960, plus Baroque and sacred music recitals from Kenneth McKellar, Kirsten Flagstad and Kathleen Ferrier. LIMITED EDITION. While hardly a ‘period-instrument’ pioneer, Sir Adrian Boult had a much surer sense of authentic Handelian style than most of his contemporaries. […]
The Decca legacy of WILHELM KEMPFF, one of the last century’s greatest keyboard poets. Wilhelm Kempff is known, with good reason, as a Beethoven interpreter of sublime simplicity, with several cycles of the concertos and sonatas to his credit, all of them recorded for DG. However, he began recording as early as 1918 and made […]
Eugen Jochum’s complete recordings of choral / sacred music for Philips collected together for the first time. Includes the rare Rudolf Mengelberg Magnificat. Born into a Catholic family of Bavarian musicians, Eugen Jochum was playing the organ and conducting his father’s choir as a child. Late in life he became renowned as a Bruckner specialist, […]
A 22-CD celebration of the doyenne of organists on her 80th birthday (17 January 2021) spanning her illustrious career of nearly five decades. ‘Weir is to the organ what Heifetz was to the violin, and Casals to the cello – a phenomenon,’ pronounced the celebrated broadcaster John Amis. Fittingly, this is a 22-CD celebration of […]
A debut on CD for the American Decca legacy of Ruth Slenczynska, a prodigious Romantic-age keyboard lioness. The biography for her Wigmore Hall recital in March 1957 claimed that the 32-year-old Ruth Slenczynska had given 1600 concerts. Scarcely believably, perhaps, but no less so than other elements of her extraordinary life story – making her […]
