It was common from medieval times to think of the Arts as female; in most European languages the words for them are feminine, and in pictures too they were represented as heavenly ladies, each carrying some appropriate object, and often attended by the male figures of her most famous earthly servants. The frontispiece chosen by […]

Antony Rooley writes: ‘Since 1963 I had been spending many hours in the British Library studying the sixteenth-century English lute manuscripts … what a unique collection! The “Jane Pickering Lute Book”, “The John Sturt Lute Book”, “The Mynshall Lute Book” – all collections of one individual’s personal choice of repertoire, each with unique information on […]

Anthony Rooley writes: ‘Even in 1926 when Peter Warlock published his brief essay on the English Lute Songs, John Danyel was singled out as being perhaps the finest lute-song composer (John Dowland not excepted) by perceptive Warlock. Nobody believed him then and not much has changed now – but I agree with Warlock. John Danyel […]