Inge Borkh & Ljuba Welitsch: The Decca Recitals
Inge Borkh; Ljuba Welitsch
Catalogue No.

These recordings of the voices of Inge Borkh and Ljuba Welitsch are very fine examples of the art of the dramatic soprano from the 1950s and early 1960s.

Borkh acquired a considerable reputation as Aida, Tosca, Turandot, and Medea in Cherubini’s opera of the same name, as well as Leonora in Fidelio. On this anthology, bringing together her recital records for Decca, we are given two mixed recitals and one of three great operatic scenes (Beethoven, Strauss, Weber).

Bulgarian-born Ljuba Welitsch liked to sing and play the violin as a child and studied Philosophy at Sofia University. She began to train her voice at the Sofia Conservatory and then in Vienna at the Music Academy. It was in Vienna that her performance as the Composer in Ariadne auf Naxos attracted the attention of Richard Strauss who suggested that she sing Salome. Her first Salome was in 1944 at a performance conducted by the composer himself to mark his 80th birthday. By the mid-1950s Welitsch had begun to switch to smaller roles and comic parts after having driven her voice mercilessly and undergoing a throat operation. Her only recital disc for Decca (and one of her very few studio recordings) was recorded in Vienna in 1950. By way of a ‘bonus’ we have Rudolf Sieczyński’s nostalgic song ‘Wien, Wien, nur du allein’ from Vienna, City of my Dreams, composed in 1913 and performed here in a 1960 recording of Die Fledermaus as part of a ‘gala’ featuring a host of famous singers at Prince Orlofsky’s ball. Welitsch had been coaxed out of retirement to take part in this bit of fun (which was not without precedent in Vienna) and her contribution is very moving.


CD 1
ANTONIN DVOŘÁK: Rusalka: Song to the Moon
CHRISTOPH WILLIBALD GLUCK: Alceste: Divinités du Styx
PIETRO MASCAGNI: Cavalleria rusticana: Voi lo sapete
GIUSEPPE  VERDI: Macbeth: La luce langue
CLAUDE DEBUSSY: L’Enfant prodigue: Air de Lia

Inge Borkh, soprano
London Symphony Orchestra
Anatole Fistoulari

La forza del destino: Son giunta … Madre, pietosa vergine
Un ballo in maschera: Ecco l’orrido campo … Ma dall’arido stelo divulsa
Macbeth: Ambizioso spirto … Vieni t’affretta … Or tutti sorgete
UMBERTO GIORDANO: Andrea Chénier: La mamma morta
FRANCESCO CILEA: Adriana Lecouvreur: Io son l’umile ancella

Inge Borkh, soprano
Wiener Philharmoniker
Rudolf Moralt

CD 2
CARL MARIA  WEBER: Oberon: Ozean! Du Ungeheuer!
LUDWIG VAN  BEETHOVEN: Ah perfido!, Op. 65
RICHARD STRAUSS: Salome: Du wolltest mich nicht deinem Mund

Inge Borkh, soprano
Wiener Philharmoniker
Josef Krips

The Queen of Spades: Ich muβ am Fenster lehnen+
The Queen of Spades: Es geht auf Mitternacht+
Un ballo in maschera: Ma dall’arido stelo divulsa+
Un ballo in maschera: Morrò, ma prima in grazia+
Zigeunerliebe: Lied und Csárdas+
Die lustige Witwe: Vilja-Lied+
CARL MILLÖCKER: Die Dubarry: Ich schenk’ mein Herz’+
FRANZ LEHÁR: Der Zarewitsch: Einer wird kommen+
RUDOLF SIECZYŃSKI: Wien, Wien, nur du allein++

Ljuba Welitsch, soprano
Wiener Staatsopernorchester
Rudolf Moralt+ 

with orchestral accompaniment++

Recording information

Recording Producers: Erik Smith (CD1: 1–5); John Culshaw (CD1: 6–10); Peter Andry (CD2: 1–3); Victor Olof (CD2: 4–11); John Culshaw, Christopher Raeburn, Erik Smith (CD2: 12)
Balance Engineers: Alan Reeve (CD1: 1–5); James Brown (CD1: 6–10; CD2: 1–3, 12); Cyril Windebank (CD2: 4–11)
Recording Locations: Grosser Saal, Musikverein, Vienna, June 1950 (CD2: 4–11 ); Sofiensaal, Vienna, Austria, 19–21 June 1956 (CD2: 1–3), 3–4 November 1958 (CD1: 6–10), 12–20 June 1960 (CD2: 12); Kingsway Hall, London, UK, 27 & 29 November 1957 (CD1: 1–5)
Remastering Engineer: Chris Bernauer