Münchinger Miniatures
Karl Münchinger
Catalogue No.

Two Decca LP albums of orchestral miniatures, newly remastered and issued complete for the first time on CD, with a substantial bonus from Karl Münchinger’s varied discography.

Karl Münchinger (1915-1990) was remembered for decades as a solid conductor of Baroque music, but previous reissues on Eloquence have served to broaden our view of a consummate musician. Recent issues of Haydn and Mozart (4840170) and Liszt and Wagner (4828427) demonstrate that he also had the Classical and Romantic repertoire at his fingertips.

Here is the complement to those issues, an invaluable continuation of the Münchinger story: a genial disc of encore-like gems from Bach to Grieg, recorded by Decca in September 1966 and first issued the following summer. It includes the conductor’s own, straightforward but sensitive orchestrations of two Bach fugues and a movement from Schumann’s Op.66 piano cycle, Bilder aus Osten. Alongside them are Baroque classics for which the Stuttgart Chamber Orchestra was famed, such as the ‘Air on a G string’, two movements from Vivaldi’s ‘Alla Rustica’ Concerto and the Musette from Handel’s G minor Concerto grosso Op.6.

On CD2, ‘Contemporary Music for String Orchestra’ ventures beyond the well-trodden path of Barber’s Adagio to include a set of Hindemith’s pedagogical music, a delicately refined Serenade by Lennox Berkeley, and Frank Martin’s arrangement of his own organ Passacaille, made for Münchinger ‘and his wonderful Stuttgart Chamber Orchestra’.

Dating from October 1950, the album was recorded in Decca’s crystal-clear mono sound, as were two bonus items on this new compilation: the sombre, graceful Chaconne from Gluck’s Paride ed Elena, in 1960, and from a decade earlier, the Third Suite of Respighi’s Ancient Airs and Dances, with its haunting Siciliano and imposing final Passacaglia.

The striking cover transformation of Grien’s Portrait of a Lady is reproduced from the original issue of ‘Münchinger Miniatures’; so is the booklet note by the recording’s producer, Ray Minshull.


CD 1
1 J.S. BACH Fugue in A minor, BWV 947 (arr. Münchinger)
2 BOCCHERINI Minuet (from String Quintet in E major, Op. 13 No. 5)
3–4 MOZART Les Petits riens, KV app. 10 (ballet) – excerpts*
5 HOFFSTETTER (attrib. HAYDN) Andante cantabile (from String Quartet, Op. 3 No. 5)
6–7 VIVALDI Concerto for Strings and Continuo in G major, R.151 ‘alla Rustica’ – excerpts*
8 J.S. BACH Air (from Suite No. 3 in D major, BWV 1068)
9 GRIEG Präludium: Allegro vivace (from Holberg Suite, Op. 40)*
10 SCHUMANN No. 1: Lebhaft (from Bilder aus Osten, arr. chamber orchestra)*
11 MOZART Menuetto & Trio (from Divertimento in D major, KV 334)
12 HANDEL Musette (from Concerto grosso in G minor, Op. 6 No. 6)
13 SCHUBERT Minuet & Trio No. 5 in C major (from Five Minuets with six Trios, D.89)*
14 J.S. BACH Fugue (from Prelude [Fantasia] and Fugue in G minor, BWV 542 ‘Great’)
15 GLUCK Chaconne (from Paride ed Elena)

CD 2
1–4 RESPIGHI Ancient Airs and Dances: Suite No. 3*
5 MARTIN Passacaille for String Orchestra
6–10 HINDEMITH Fünf Stücke für Streichorchester*
11–14 BERKELEY Serenade for Strings, Op. 12*
15 BARBER Adagio for Strings, Op. 11

Stuttgarter Kammerorchester
Karl Münchinger


Track previews
Fünf Stücke: 2. Langsam - Schnell
Ancient Airs and Dances, Suite No. 3: 1. Italiana
Concerto for Strings and Continuo in G Major, RV 151 "Concerto alla Rustica": 3. Allegro
Concerto for Strings and Continuo in G Major, RV 151 "Concerto alla Rustica": 1. Presto
String Quartet in F Major, Op. 3, No. 5 (formerly attrib. J. Haydn): Andante cantabile
Les petits riens, K. App. 10 (Ballet): Pantomime
Les petits riens, K. App. 10 (Ballet): Adagio
Minuet from String Quintet in E Major, Op. 13 No. 5
Fugue in A Minor, BWV 947 (Arr. Münchinger)
Fünf Stücke: 1. Langsam
Passacaille for String Orchestra
Ancient Airs and Dances, Suite No. 3: 4. Passacaglia
Ancient Airs and Dances, Suite No. 3: 3. Siciliana
Ancient Airs and Dances, Suite No. 3: 2. Arie di corte
Fünf Stücke: 3. Lebhaft
Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" (Arr. Münchinger): Fugue
Five Minuets and Trios for String Quartet, D 89 (Arr. for string orchestra and 6 trios): 5. in C Major
12 Concerti grossi, Op. 6, HWV 319-330 / Concerto grosso in G Minor, Op. 6, No. 6, HWV 324: Musette: Larghetto
Divertimento in D, K. 334: 3. Menuetto - Trio - Menuetto
Bilder aus Osten, Op. 66 (Arr. for chamber orchestra): I. Lebhaft (B-Flat Minor)
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace)
Adagio for Strings, Op. 11
Serenade for Strings: 4. Lento
Serenade for Strings: 3. Allegro moderato
Serenade for Strings: 2. Andantino
Serenade for Strings: 1. Vivace
Fünf Stücke: 5. Lebhaft
Fünf Stücke: 4. Sehr langsam
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
Recording information

Recording Producers: Ray Minshull (Bach, Boccherini, Mozart, Hoffstetter, Vivaldi, Grieg, Schumann, Handel, Schubert); James Walker, Michael Bremner (Gluck); Victor Olof (Respighi, Martin, Hindemith, Berkeley, Barber)
Balance Engineers: Martin Fouqué (Bach, Boccherini, Mozart, Hoffstetter, Vivaldi, Grieg, Schumann, Handel, Schubert); Roy Wallace, Karl Brugger (Gluck); Gil Went (Respighi, Martin, Hindemith, Berkeley, Barber)
Recording Locations: Victoria Hall, Geneva, Switzerland, October 1950 (Respighi), October 1955 (Martin, Hindemith, Berkeley, Barber), October–November 1960 (Gluck); Mozart-Saal, Stuttgart, Germany, 15–17 September 1966 (Bach, Boccherini, Mozart, Hoffstetter, Vivaldi, Grieg, Schumann, Handel, Schubert)
Remastering Engineer: Chris Bernauer
Original Decca LP Releases: SXL 6296 (Münchinger Miniatures); SXL 2265 (Gluck); LXT 2571 (Respighi); LXT 5153 (Martin, Hindemith, Berkeley, Barber)
Cover Image: ‘Portrait of a Lady’ by Hans Baldung Grien (1480–1545)


‘[The Barber] gets a very fine performance. So do all the works on this very well recorded and thoroughly recommended disc.’ Gramophone, August 1957 (‘Contemporary Music for String Orchestra’)

‘This is the most delightful record of its kind that I have heard for a long time. Beautiful and well contrasted music, supremely well played and recorded with a string tone that combines a keen edge and richness… This record cannot be recommended too strongly to those looking for an unhackneyed selection of short pieces.’ Gramophone, July 1967 (‘Münchinger Miniatures’)