Schubert: Symphony No. 5; Beethoven: Symphonies Nos. 3, 5 & 7
Sir Georg Solti
Catalogue No.

Erich Kleiber was one of Georg Solti’s idols and it was a Kleiber performance of Beethoven’s Fifth Symphony that transformed his life and was the catalyst in his decision to become a conductor – a decision he made at the age of fourteen. The Schubert recording comes from one of only two recording sessions with the Israel Philharmonic – in May 1958. It is genial but not without the Solti trademark of excitement.

Solti recorded two complete Beethoven symphony cycles both with the Chicago Symphony Orchestra, in both analogue (1974) and digital (1986–90) formats. With the Vienna Philharmonic in 1958–59, he recorded the Third, Fifth and Seventh symphonies. (He also made a ‘live’ recording of the Fifth with this orchestra in 1990.) Over several decades, he worked extensively with the Viennese players and despite making several legendary recordings with them, openly admitted that it was seldom an harmonious relationship, especially in those early years: ‘They hated me. For many years I used to say that my favourite street in Vienna was the road to the airport’.

This reissue continues Eloquence’s tribute to Sir Georg Solti with, in the main, reissues of his earlier Decca recordings.


Symphony No. 5 in B flat major, D. 485

Symphony No. 3 in E flat major, Op. 55 ‘Eroica’
Symphony No. 5 in C minor, Op. 67
Symphony No. 7 in A major, Op. 92

Israel Philharmonic Orchestra (Schubert)
Wiener Philharmoniker (Beethoven)
Georg Solti

Recording information

Recording Producer: John Culshaw
Balance Engineer: James Brown
Recording Locations: Frederic R. Mann Auditorium, Tel Aviv, Israel, May 1958 (Schubert); Sofiensaal, Vienna, Austria, 17–20, 23, 24 & 29 September 1958 (Beethoven: Symphony No. 5); 13, 16 & 17 October 1958 (Beethoven: Symphony No. 7), 6, 7 & 11–13 May 1959 (Beethoven: Symphony No. 3)


‘masterly from a technical point of view, and in the main very impressive interpretations. They are of the big, heavy, powerful kind, though usually with plenty of drive where it’s required.’ (Beethoven) Gramophone, December 1959

‘There is a lot of beautiful playing … What I like best about this disc is the marvelous sound’ (Schubert) Gramophone, May 1959