Agnelle Bundervoët – Complete Recordings on Decca France
Agnelle Bundervoët
Label
Decca
Catalogue No.
4841507
Barcode
00028948415076
Format
2-CD
About
TRACK LISTING / ARTISTS

CD 1           

FRANZ LISZT (1811–1886)

1 Rhapsodie espagnole, S.254
2 Au bord d’une source (No. 4 of Années de pèlerinage, Première année: Suisse, S.160)
3 Valse oubliée, S.215 No. 1
4 Gnomenreigen (No. 2 of Études de concert, S.145)

Grandes Études de Paganini, S.141

5 No. 4 in E major (Arpeggio)
6 No. 5 in E major (La Chasse)
7 No. 6 in A minor (Theme and Variations)
8 Mephisto Valse No. 1, S.514

JOHANNES BRAHMS (1833–1897)

9–35 Variations and Fugue on a theme by Handel, Op. 24

 

CD 2           

JOHANNES BRAHMS (1833–1897)

1 Rhapsody in B minor, Op. 79 No. 1
2 Rhapsody in G minor, Op. 79 No. 2
3 Rhapsody in E flat major, Op. 119 No. 4

ROBERT SCHUMANN (1810–1856)

4–9 Intermezzi, Op. 4
10 Toccata in C major, Op. 7
11–17 Fantasiestücke, Op. 12

Agnelle Bundervoët, piano

AGNELLE BUNDERVOËT’S COMPLETE RECORDINGS FOR DECCA FRANCE NEWLY REMASTERED AND ON CD FOR THE FIRST TIME

Track previews
Rhapsodie espagnole, S. 254
4 Piano Pieces, Op. 119: 4. Rhapsody in E-Flat
Variations and Fugue on a Theme by Handel, Op. 24: Variation XX
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXI
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXII
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXIII
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXIV
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXV
Variations and Fugue on a Theme by Handel, Op. 24: Fuga
2 Rhapsodies, Op. 79: No. 1 in B Minor, Op. 79/1
2 Rhapsodies, Op. 79: No. 2 in G Minor, Op. 79/2
Six Intermezzos For Piano, Op. 4: No. 1: Allegro quasi maestoso
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVIII
Six Intermezzos For Piano, Op. 4: No. 2: Presto e capriccioso
Six Intermezzos For Piano, Op. 4: No. 3: Allegro marcato
Six Intermezzos For Piano, Op. 4: No. 4: Allegretto semplice
Six Intermezzos For Piano, Op. 4: No. 5: Allegro moderato
Six Intermezzos For Piano, Op. 4: No. 6: Allegro
Toccata in C Major, Op. 7
8 Fantasiestücke, Op. 12: 1. Des Abends
8 Fantasiestücke, Op. 12: 2. Aufschwung
8 Fantasiestücke, Op. 12: 3. Warum?
8 Fantasiestücke, Op. 12: 4. Grillen
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIX
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVII
Années de pèlerinage I, S. 160: 4. Au bord d'une source
Variations and Fugue on a Theme by Handel, Op. 24: Variation IV
Valses oubliées, S. 215: No. 1
2 Etudes de Concert, S. 145: No. 2: Gnomenreigen
Grandes études de Paganini, S. 141: No. 4 in E Major
Grandes études de Paganini, S. 141: No. 5 in E Major
Grandes études de Paganini, S. 141: No. 6 in A Minor
Mephisto Waltz No. 1, S. 514
Variations and Fugue on a Theme by Handel, Op. 24: Theme: Aria
Variations and Fugue on a Theme by Handel, Op. 24: Variation I
Variations and Fugue on a Theme by Handel, Op. 24: Variation II
Variations and Fugue on a Theme by Handel, Op. 24: Variation III
Variations and Fugue on a Theme by Handel, Op. 24: Variation V
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVI
Variations and Fugue on a Theme by Handel, Op. 24: Variation VI
Variations and Fugue on a Theme by Handel, Op. 24: Variation VII
Variations and Fugue on a Theme by Handel, Op. 24: Variation VIII
Variations and Fugue on a Theme by Handel, Op. 24: Variation IX
Variations and Fugue on a Theme by Handel, Op. 24: Variation X
Variations and Fugue on a Theme by Handel, Op. 24: Variation XI
Variations and Fugue on a Theme by Handel, Op. 24: Variation XII
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIII
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIV
Variations and Fugue on a Theme by Handel, Op. 24: Variation XV
8 Fantasiestücke, Op. 12: 5. in der Nacht
Recording information

Recordings: Paris, France, 29–30 October 1955 (Liszt), 17 March 1956 (Brahms), 24 September 1957 (Schumann)
Original Decca France Releases: FAT 173-689 (Liszt): 1956, FAT 173-732 (Brahms): 1957, FAT 173-803 (Schumann): 1958

Reviews

‘The musical pleasures of Agnelle Bundervoët’s performance cannot be overstated … the poetic spell, the magic of contrasts, the visionary unity mark this interpretation with the seal of Schumannesque authenticity … The excellent recording, sympathetic to the quick reflexes of Agnelle Bundervoët, should appeal to all Schumann enthusiasts.’ Vie et Bonté, December 1956