Aromatherapy, the quiet moments of classical music. And the first volume, Music for Relaxation, offers a miscellany of classical pieces from piano (the first movement of Beethoven’s ‘Moonlight’ Sonata) to orchestral music by Grieg, Elgar and Borodin.

One of the most entertaining composer autobiographies is Miklós Rózsa’s Double Life, first published in 1982 – the same year that he scored his last film (the Steve Martin vehicle Dead Men Don’t Wear Plaid). The book’s title is an allusion to Rózsa’s twofold career as a composer of music for the concert hall and for […]

The Bernard Herrmann / Phase 4 connection was one of the most significant in the artistic and audio history of Decca. Collected here and are significant recordings of his film music he recorded for the company from films which remain classics of all time. This 2CD set is a timely reminder of the devastatingly effective […]

Bernard Herrmann made some significant recordings for Decca in the late-1960s/early-1970s.  Many of these used the company’s then new audio technology, Phase 4, which brought the music into brilliant light. This collection brings together a selection of British Film Music as well as music by Herrmann himself for a series of Alfred Hitchcock films, including […]

A collection of prized Decca recordings of the music of Holst, including a rare – and controversial! – recording by film score supremo Bernard Herrmann, released internationally for the first time on CD. Also included are two orchestral works (The Perfect Fool and Egdon Heath) conducted by Sir Adrian Boult, recorded in 1961 and much […]