Posts tagged as "london-philharmonic-orchestra"

Richard Strauss Heroines

April 19, 2016

It is often said that Richard Strauss had a lifelong love affair with the soprano voice, and it is certainly true that many of his finest operatic roles were written with that voice in mind. In addition, the quality of his writing for sopranos regularly shows their instruments off to maximum advantage. Sopranos have genuine […]

Stravinsky – Ansermet: The First Decca Recordings

April 19, 2016

The Eloquence/Ansermet journey continues with a much-anticipated and unique set: the early Stravinsky/Ansermet Decca discography with recordings made in the decade from 1946–1955, with, as a bonus, the hitherto unissued-on-CD recording of the Divertimento from The Fairy’s Kiss, recorded in 1962. The detailed booklet notes by Richard Kaplan are supplemented with full-page reproductions of many […]

Tchaikovsky: 1812 Overture; Capriccio italien; Marche slave; Swan Lake

April 19, 2016

By 1958, Decca had been recording in stereo for four years, regularly sending out two production teams, one to make the stereo master, the other the mono master. Each team of producer and engineer worked independently of the other to produce the optimum sound for their system. In 1958, to launch their new stereo series […]

Walton: Belshazzar’s Feast; Coronation Te Deum; Choral Works; Songs

April 18, 2016

This 2CD set reveals two sides of Walton, the composer of music for the voice. CD1 features the extravagant composer with multiple choirs and a huge orchestra for swaggering performances of the Coronation Te Deum and Belshazzar’s Feast, both with Sir Georg Solti conducting. CD2, with all items released on CD for the first time, […]

Bizet: L’Arlésienne; Carmen; Jeux d’enfants; Dukas: L’Apprenti sorcier

March 15, 2016

Lorin Maazel’s late-1970s recordings of the L’Arlésienne suites and Jeux d’enfants remain some of the most scintillating and beautifully recorded in the catalogue. They have received limited CD release and are back now, coupled with a rare recording by Sir Alexander Gibson of the Carmen Suite and Weller’s much-requested recording of Dukas’s Sorcerer’s Apprentice, both […]

Albéniz & Turina: Rhapsodies

March 12, 2016

Both the Albéniz works on this recording began life as piano pieces – the Suite española for solo piano (here orchestrated by Rafael Frühbeck de Burgos) and the Rapsodia española for two pianos, orchestrated by Cristobal Halffter. They are given immensely colourful performances here, in glorious ‘Decca Sound’, with Burgos’s 1967 recording of the Suite […]

Falla, Granados, Ravel: Orchestral Works

March 12, 2016

Rafael Frühbeck de Burgos’s 1965–66 recording of Spanish orchestral favourites was a huge success in its time, not only for the orchestra and conductor’s sense of colour, flamboyance and rhythmic acuity, but also for the sheer panoramic sound-spectrum with the fabled ‘Decca Sound’. Bringing together works both Spanish in origin as well as of Spanish […]

Graun: Montezuma (highlights)

March 12, 2016

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]

Bononcini: Griselda (highlights)

March 12, 2016

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores, as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]

Rimsky-Korsakov: Scheherazade, Russian Easter Festival Overture

March 7, 2016

In his most famous orchestral composition, ‘Scheherazade’, Rimsky-Korsakov, like Beethoven in his ‘Pastoral’ Symphony before him, was more interested in evoking feelings and impressions than in spoon-feeding listeners a pre-digested program. So the titles he provided for its four movements were indicative rather than based on particular stories from the ‘Arabian Nights’. Pierre Monteux’s recording, […]

Tchaikovsky: Piano Concerto No. 1; Concert Fantasy

March 5, 2016

On this reissue, Tchaikovsky’s ever-popular Piano Concerto No. 1 is coupled with a relative rarity – the Concert Fantasy. Peter Katin was not the first pianist to make a studio recording of Tchaikovksy’s Concert Fantasy – that honour went to Tatiana Nikolayeva in 1950 – but his 1958 recording with Sir Adrian Boult was the […]