One of Dame Joan Sutherland’s own favourite recordings, long unavailable on its own, reissued with additional material recorded at the Geneva sessions, with rarely seen photographs and a new booklet introduction. In her introduction to this reissue of Sutherland’s 1969 recording of Romantic French Arias, Fiona Janes notes that the album was made just shy […]
Mercury, Philips and Decca recordings of orchestral pops conducted by the supremely versatile Sir Charles Mackerras, including a pair of Strauss overtures new to CD. Few conductors, if any, have demonstrated the sheer versatility of Charles Mackerras. He could turn his sharp ear and his unfussy baton technique to every corner of classical repertoire, and […]
Robert Irving: the pre-eminent ballet conductor of his day on home turf and vividly captured in Decca’s superbly life-like, late mono-sound with his complete recordings for that label. Despite bringing the orchestras of both The Royal Ballet and the New York City Ballet to celebrated peaks of brilliance in execution, the conductor Robert Irving left […]
In the 1950s and much of the 60s, the great bass roles in the Italian repertoire and the title part in ‘Don Giovanni’, were synonymous with the name of Cesare Siepi. Gifted with a commanding presence on stage and a firm, sonorous, pliant ‘basso cantante ‘– a true successor to the mantle of Pinza and Pasero, […]
Jean Martinon (1910-76) was not only a successful conductor but also an accomplished composer and his musical intuition and fine ear for detail is evident at every turn in these recordings. This release will achieve cult status, as did the original recordings, made in 1958 (Massenet, Meyerbeer) and 1959 (Dvorak). The French works were recorded […]
Recorded in her 59th year, this was one of Sutherland’s last studio recordings. The notes are by Richard Bonynge, the indefatigable mind behind the research of much of this repertoire.
The celebrated Hungarian tenor, Sándor Kónya (1923–2002), made regrettably few recordings. With a voice of ‘lirico-heroic splendour’ (Andrew Porter, Opera magazine), he brought strength of purpose and real nobility to his portrayals on stage, with generously warm vocal projection. He was described by Opera magazine as ‘the finest Lohengrin since Franz Völker’. Collected here are […]
‘Rita Streich, famed for her peerless coloratura, for her Queen of the Night and her performances of Olympia in Les contes d’Hoffmann and Blonde in Die Entführung aus dem Serail; Rita Streich, often dubbed a ‘singing nightingale’ also took time out from a busy career to record miniatures. Several LPs, combined over two (now deleted) Deutsche […]
The late 1960s and early 1970s were a fertile period for the Bonynge–Sutherland duo. Whilst fulfilling a fiendish concert schedule, they produced a string of opera sets for Decca with leading artists of the day which have become classics of the catalogue: ‘La fille du regiment’ (1968), ‘Lakmé’, ‘Les Huguenots’, ‘Romantic French Arias’ (all 1969!), […]
‘Queen Victoria loved music for music’s sake and singing appealed especially to her. It was a joy, a necessity to her to hear music every day and to keep in contact with the musicians of her time. Artists met with the most charming and graceful reception and the Queen always entertained herself for a long […]
