Beginning in 1961, Georg Solti enjoyed a ten-year tenure as Music Director of London’s Covent Garden Opera Company where he raised performance standards while giving British singers more prominence than ever before. These changes were not lost on Buckingham Palace and in 1968, Covent Garden earned the right to be renamed ‘The Royal Opera’. With […]

Ballet music was very much part of the great operas, sometimes inserted later for a bit of relief from the drama. Together with popular overtures – Rossini’s ‘Thieving Magpie’, Bizet’s ‘Carmen’ – this is a collection of some of those best-loved instrumental moments, some of which have even eclipsed the whole opera in popularity.

The Hungarian-born conductor Georg Solti (1912–1997) was one of Decca’s most prolific recording artists. Eloquence’s survey of his recordings features, in the main, some of his earliest recordings for the company. Although recorded as far back as 1960, during his tenure with the Royal Opera House, Covent Garden, Solti’s recording of ‘Gaîté parisienne’ remains one […]

While the bulk of Ansermet’s recordings were made with L’Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras. One of these was with the Orchestra of the Royal Opera House, Covent Garden, in 1959 with producer Michael Williamson and engineer Kenneth […]

The renowned Cleveland sound coupled with the stylish, high-powered baton technique of Lorin Maazel, here bring you a wonderful selection of overtures, some of them making their first appearance on CD.

The first release on CD of favourite soprano arias recorded by Leona Mitchell for Decca with simply ravishing orchestral playing to boot.

One of the most fizzing, entertaining recordings of ‘The Barber of Seville’, brought off with tremendous panache by the principals with instinctively shaped, pliant playing from the Naples orchestra under Silvio Varviso.

This has to be one of the most amazing recordings of Rossini Overtures ever made. The polish and scintillation of the orchestral playing practically outclasses any other recording and the sense of fun is infectious! Try track 1 and you’ll be sold!

Recorded in her 59th year, this was one of Sutherland’s last studio recordings. The notes are by Richard Bonynge, the indefatigable mind behind the research of much of this repertoire.

A thrilling collection of Overtures and Preludes (with some popular orchestral pieces thrown in for good measure) from Zubin Mehta. As a showman of the best variety, his recordings remain one of the Decca catalogue’s richest legacies with more than half of this collection released on CD for the first time.

Since the beginning of opera, the convention of the duet, in which two characters simultaneously express their feelings, has been one of the staple ploys of musical dramatists. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between; though in the […]

The stunning ‘Covent Garden Anniversary Album’ released complete for the first time on CD, coupled with Solti’s firecracker accounts of Overtures and Preludes. Soloists include a range of 1960s Covent Garden stalwarts, – Carlyle, Sutherland, Veasey, Minton, Shuard, Collier, Gobbi, Evans, Pears and Ward; and conductors – Downes, Bonynge, Walton and Goodall. Nearly 160 minutes […]