Issued complete for the first time, Igor Markevitch’s Deutsche Grammophon legacy from Berlin, Paris, Prague and New York, made between 1953 and 1965. ORIGINAL JACKETS | LIMITED EDITION. ‘I record so much I forget even my own records!’ Markevitch was a prolific recording artist for several labels, principal among them Deutsche Grammophon, HMV/EMI and Philips […]
Two first-ever releases from 1965 Philips sessions of 18th-century music for the stage conducted by the supremely versatile Sir Charles Mackerras. Eighteenth-century music had been a passion for Charles Mackerras ever since childhood. ‘What I particularly like is the beautiful symmetry of it,’ he said in 1977, ‘and the extremely florid decoration which you find […]
A newly remastered collection of four original Decca albums featuring the Spanish mezzo-soprano at the height of her powers in the repertoire most associated with her, from Rossini to folk and popular songs from her native Spain. Born in 1935, Teresa Berganza was in her mid-twenties when she made the recordings on this album, yet […]
To complement a 2CD set of Rossini and Spanish songs entitled ‘Brava Berganza’ (482 6397), Eloquence has also reissued more buried treasure from the Decca discography of Teresa Berganza. The compilation takes its title from a 1961 album made, like the Rossini arias on ‘Brava Berganza’ with Sir Alexander Gibson conducting the orchestra of the […]
The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This collection brings together three of their very first recordings: ‘A Recital’, ‘A Second Recital’ and ‘Italian Concertos’, the three LPs receiving their first complete release on CD. The first […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
