While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Each of the works on this disc is associated with a notable cellist who made a career in Russia: the ‘Rococo Variations’ with the German player Wilhelm Fitzenhagen (1843–90), the ‘Andante cantabile’ with Anatoly Brandukov (1859–1930), the ‘Chant du Ménestrel’ with the Polish player Alexander Wierzbilowicz (1849–1911) and the Shostakovich Concerto with Mstislav Rostropovich (1927–2007) […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Two ‘Phase 4’ recordings reappear in their entirety on this double-CD of violin bon-bons. Josef Sakonov’s is of virtuoso violin pieces (including Sarasate’s ‘Zigeunerweisen’) and sentimental miniatures by Godard, Tchaikovsky, Ponce and others. This is the first international release of the complete original LP on CD. Erich Gruenberg’s recording centres around Fritz Kreisler – as […]

In addition to recording the six Tchaikovsky symphonies for Decca with the Vienna Philharmonic, Lorin Maazel also recorded the ‘Manfred’ – a recording often singled out as one of the best made of this symphony, as well as three of the tone poems based on literary legends, two Shakespearian (Hamlet, Romeo and Juliet) and one […]

For thirty years, from 1960 to 1990, Nicolai Ghiaurov was an indispensable figure on the international operatic scene. His voluminous base, incisive delivery and imposing presence meant that he was in demand in every centre of opera. His range of roles stretched from Mozart and Rossini through to Verdi and Puccini and many parts in […]

Between January and December 1951 Dutch conductor Paul van Kempen recorded a series of major Tchaikovsky works with the Concertgebouw Orchestra. The performances are at once fiery and incandescent – a kind of meaningful sound and fury – and have long been out of the catalogue. But even when they were issued they divided critical […]

Although the orchestra was the most natural vehicle for Tchaikovsky’s colourful and emotionally highly-charged music, in his string quartets (all dating from the 1870s) he showed a fine understanding of the medium and adopted a more purely musical train of thought – deriving in part from his deep fondness for the classical world of Mozart […]

Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique, but was also capable of great delicacy at the keyboard. The core of his repertoire was […]

The violinist who straddled the divide between the old ways and the new, was the Viennese virtuoso, Wolfgang Eduard Schneiderhan. He was born on 28th May 1915 and beginning violin lessons at five, he polished his technique under Sevcík and Winkler. From the 1950s onward, Schneiderhan displayed all the qualities normally associated with German musicians. […]

Most parents will assert that siblings do not always play well together but classical music gives many examples to the contrary. Although violinist, Yehudi Menuhin, was the most famous member of his family, he performed and made several recordings with his sisters, Hephzibah and Yaltah both pianists. (Pianist Marcel Ciampi who taught both sisters, remarked […]

These recordings of the voices of Inge Borkh and Ljuba Welitsch are very fine examples of the art of the dramatic soprano from the 1950s and early 1960s. Borkh acquired a considerable reputation as Aida, Tosca, Turandot, and Medea in Cherubini’s opera of the same name, as well as Leonora in Fidelio. On this anthology, […]