Choirs and orchestras join for a beautiful celebration of 20th-century British Christmas favourites recorded in sumptuous Argo sound. Book-ended by two perennial favourites – Vaughan Williams’s Fantasia on Christmas Carols and Finzi’s In terra pax – this collection explores the subtle and radiant music of Howells, Warlock, Ireland and Holst, and includes an orchestral number […]

This is a gem of an album, containing not only some glorious and seldom heard pieces but is also the only available recorded version of ‘Soberana Maria’ (anon.). ‘A piece of heart-breaking beauty, sung exquisitely a capella’ wrote a reviewer on Amazon.com of this admirable album made in 1968 – one of Roger Norrington’s earliest recordings. […]

A favourite ballet all round the year, but a perennial at Christmas-time, Tchaikovsky’s evergreen Nutcracker has never perhaps received as luxurious a recorded performance as that of Charles Dutoit and the Orchestre symphonique de Montréal. The coupling – Aurora’s Dream – is a suite of dances, mostly from the last act of The Sleeping Beauty, […]

Arthur Fiedler took great pride in bringing classical music to the world at large. While Leonard Bernstein was busy with his Young People’s Concerts with the New York Philharmonic, Fiedler and his Boston Pops Orchestra (most of the members drawn from the Boston Symphony) gave concerts of popular classics that became a fixture on America’s […]

A collection of hymns, carols and motets offers a broad perspective on the unaccompanied choral music of Christmas: its traditional liturgical texts, as reflected in reverent settings by Renaissance and modern masters; and the well- and lesser- known hymns and carols of the world in arrangements which preserve their ethnic and geographic origins. A much-sought […]

‘Once, As I Remember…’ is John Eliot Gardiner’s recreation of the story of Christmas based on the Springhead Christmas Play. A nativity play made up of music, speech, dance and mime took place almost every Christmas in the Millroom at Springhead, home of the Gardiner family in Fontmell Magna, Dorset. The actors were school-children, farmers, […]

Orchestral showpieces such as those grouped here were among the most obvious beneficiaries of the advances in recording technique pioneered by Decca from the late 1950s onwards. Works which may have seemed dauntingly complex to an earlier generation of gramophone collectors could now be captured with startling clarity, due in no small part to the […]

Today, Anton Bruckner, the son of a village schoolmaster, is recognised as one of the most important (albeit late-blooming) symphonists of the nineteenth century. During his lifetime, however, he was the subject of incomprehension and ridicule – that is, when critics and musicians paid him and his music any attention at all. Even in modern […]

Dvořák naturally gave a great deal of attention to the genre of the oratorio and it was his work in this area that firmly established his reputation in the English-speaking world. Rossini very much admired Pergolesi’s fine setting of the Stabat Mater but had not felt equal to attempting his own. The decision to try […]

István Kertész made one of the first stereo cycles of Dvorák’s symphonies on Decca with the London Symphony Orchestra. Earlier still, in 1961, he recorded just the Ninth (‘From the New World’), with the Vienna Philharmonic – one of the tautest, most thrilling performances ever committed to disc. It is coupled here with a recording […]

Many of the titles on this set formed couplings to Kertész’s celebrated LSO Dvorak symphony cycle for Decca. Collected here, over two generously-filled CDs, are all of the Overtures and Tone Poems of Dvorak that Kertész recorded. The fantastical, sometimes gruesome fairy tales of Erben exercised a curious fascination over Dvořák and three of his […]

Renowned for the precision of his execution, it was said that Reiner could ‘stand before an orchestra he has never seen before and conduct a new piece at first sight without verbal explanation, by means of manual technique alone’ (he later taught at the Curtis Institute, where he unsuccessful attempted to moderate the young Leonard […]