Mark Ainley surveys the artistry of Greek pianist Gina Bachauer, to mark the release of her complete Mercury Living Presence recordings. Many pianists are impossible to classify and fit no school. Gina Bachauer was one of these… unlike most modern pianists she was a romantic with a virtuoso approach to the keyboard…. She played in […]

What The Critics Said VOLUME 1 “Judging from the first releases by him and the newly resuscitated Detroit Symphony Orchestra, [Paray] should soon come into his own. His reading of this much-played symphony is a thrill from start to finish.” High Fidelity, November 1953 (Franck) “Once again, Paray reveals his mastery at interpreting modern French […]

“I still remember the time when I played Rachmaninov’s Piano Concert No. 3 for the first time in London in 2001. After the concert, he gave me a hug with tears in his eyes, and said that he had high hopes for me. Master Fou was a great artist that I respected very much. I […]

On Sunday 3 March 2019, the music world lost the British organist Peter Hurford, who died at the age of 88. Hurford’s death is unfortunately timed with this month’s Eloquence re-issue of his splendid recital at the Sydney Opera House in 1982. Writing the following year, Gramophone wrote “This is the sort of programme with which organs are baptized … There is a springiness in the playing which comes up fresh every time … All very good value.”

From the goldfields in Western Australia, whose capital city is the most remote in the world, Joyce defied incongruous and humble beginnings to forge a career that took her to the international pinnacle of twentieth-century pianism.

This month on our Eloquence blog, Peter Watchorn pays tribute to the musical genius that was George Malcolm.

The first-ever comprehensive survey of the recordings of Australia’s greatest singers.