Two recordings make their international CD premieres here. Solti recorded both these popular Mendelssohn symphonies twice for Decca and these are the earlier versions. The ‘Scottish’ dates from November 1952 and is in mono. The ‘Italian’ in stereo, recorded 1958, also with producer John Culshaw, is an absolute legend and has had many requests over […]
A unique collection, bringing together Schumann’s Concertos and concertante works, including the first international release of Ingrid Haebler’s recording of the Piano Concerto and Barenboim’s of the Konzertstück for Four Horns. The unjustly neglected Concert Pieces, Opp. 92 & 134 are given glorious readings by Ashkenazy and both the Cello and Violin Concertos receive admirable […]
Solti came late in life to the music of Shostakovich and in his introduction to the recording of the Thirteenth Symphony (reprinted in the booklet) explains the music’s effect on him. These rare recordings have long been out of the catalogue and are now issued as a 2CD set at super-budget price. Sergei Aleksashkin is […]
Ballet hybrids often eclipse the originals from which they are drawn and such is the case with the music on this disc. Including such popular pieces as the ‘Can Can’ from Orpheus in the Underworld and the ‘Barcarolle’ from The Tales of Hoffman, there is possibly no better recording on the market than Solti’s Gaite […]
Rich and ripe readings of Mozart’s two piano quartets from Georg Solti and the Melos Quartett, in which the conductor takes time off from his podium duties to return to the keyboard – where, in fact, his whole career began. Recorded a year apart, these readings have both thrust and warmth and are made available […]
Georg Solti’s reading of ‘Tristan und Isolde’, is one of the most thrilling experiences of this opera on record, moving from becalmed to frenzied. The prominence of the orchestral playing – and what playing from the Vienna Philharmonic – is explained by producer John Culshaw as being very clearly indicated in the score by Wagner […]
A stunning Wagner collection featuring all the major overtures and preludes (including the very rare and very beautiful ‘Die Feen’ – The Fairies), this collection is also noteworthy for other reasons. For a start, it brings together in a single collection the complete Decca Wagner recordings of Zubin Mehta and the complete Philips Wagner recordings […]
As with his Seventh symphony, Bruckner began his Eighth without a commission and without any specific promise that it would be performed. Nowadays, it’s one of his most often performed symphonies. It also happens to be his longest symphony – one, with its sheer breath of scope, asks for the listener to adjust his or […]
Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. In 1937, he was also page-turner for the first performance of the Sonata for Two Pianos & Percussion given by the composer and his wife, Ditta Bartók-Pasztory. Bartók’s music […]
Solti’s vigorous interpretation of Bizet’s ‘Carmen’ is represented by a generous selection of highlights and includes some of the finest singers of our generation.
This well-filled 2CD set – nearly 2 hours and 40 minutes long – presents Bartók’s major concertos (the Viola Concerto appears on another Eloquence CD). The three Piano Concertos appear in muscular and sumptuously recorded performances (one of the finest examples of Decca’s 1970s engineering at the venerated Kingsway Hall) by Pascal Rogé and Walter […]
In 1958, work started on the great ‘Ring’ project with Solti and the Vienna Philharmonic at the helm of a crop of outstanding singers. For the first complete recording of Wagner’s tetralogy and for the first opera, ‘Das Rheingold’, Flagstad was engaged to sing a role she had never performed before, that of Fricka. Producer […]
