The first release at super-budget price of these towering performances with a generous selection of Overtures. Many of the recordings in this Beethoven cycle have never before been locally available.
The first release at super-budget price of these towering performances. Many of the recordings in Vienna Philharmonic/Bohm Beethoven cycle have never before been locally available.
Mozart at his most elegant in music for sophisticated players of flute and harp. Giving what the Penguin Guide described as ‘meltingly beautiful accounts’, the players of the solo concertos ‘perform with the utmost distinction under Böhm, who lets the music unfold in an unforced way, relaxed yet vital’.
Highlights from the dream-cast recording of ‘Così’, with the ultimate Mozart orchestra, ‘the VPO’, at the helm under the direction of Böhm – one of the most perceptive Mozarteans of our time.
Karl Böhm and Mozart’s ‘Magic Flute’ were synonymous in the world of opera and this is the first of two studio recordings he made of the work together with soloists who were star performers at the Vienna State Opera at the time. All the favourite arias, duets and choruses are included.
As a leading Mozartean, Karl Böhm turns out exquisite and warm performances of three of Mozart’s most popular serenades – all collected on a single CD. The three distinguished wind soloists in the ‘Posthorn’ add immeasurably to its pleasure.
An idiomatic recording of Strauss’ Fledermaus boasts a stellar cast, in a warmly recorded account of this work.
During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of music by, among others, Mozart, Beethoven, Brahms Schubert and Weber. The Brahms Symphony is performed with sweep and with classical poise and the music is clearly in the Viennese players’ blood (after all, they premiered the symphony […]
During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of music by, among others, Mozart, Beethoven, Brahms and Weber. Reappearing here, for the first time on CD internationally, are his swift recordings of Beethoven’s Eighth and of two Schubert symphonies (Nos. 5 and 8). Never imposing his […]
It is often said that Richard Strauss had a lifelong love affair with the soprano voice, and it is certainly true that many of his finest operatic roles were written with that voice in mind. In addition, the quality of his writing for sopranos regularly shows their instruments off to maximum advantage. Sopranos have genuine […]
Born in 1912 in Dresden and taught there both by Hans Schneider and in the famous class of Robert Teichmüller, around the age of 30 Hans Richter-Haaser moved to Detmold. At first he took over the artistic direction of the city orchestra. But by 1947 he had already been entrusted with a piano masterclass. This must […]
On 11th June 1944, Karl Böhm conducted ‘Ariadne auf Naxos’ at the Vienna State Opera. It was, in his own words, ‘despite the dark shadows cast by the war which was already long since lost, a feast for musical Vienna’. The occasion was the 80th birthday of Richard Strauss which would have undoubtedly been celebrated […]
