Sutherland’s sensational debut recital album, long unavailable on its own, reissued with photographs and rarely seen costume designs for the soprano’s signature roles. When these recordings first appeared, Joan Sutherland was on the brink of a spectacular international career; just behind her was the sensation of her Royal Opera debut in Lucia di Lammermoor, early […]
Three Decca albums of English and Italian Baroque sinfonias from the analogue era, newly remastered and compiled and featuring several recordings new to CD. Looking back to a time when Britain really did rule the waves, ‘Sinfonia’ draws on the vibrant and cosmopolitan culture of eighteenth-century London. Not only local composers such as William Boyce, […]
No expense was spared to mount the first production of ‘Le Corsaire’ at the Théâtre Impérial de l’Opéra in Paris early in 1856. Soon finding a permanent home in the Imperial Ballet of St. Petersburg thanks to the choreography of Marius Petipa, this full-length ballet quickly became an established classic of the genre. Audiences have […]
No conductor working in the recording studios in the 1960s and beyond did more than Richard Bonynge to recover the sound of the 19th-century ballet, especially in its home of the Paris Opéra-Comique. A central figure in that culture was Adolphe Adam who supplied vaudevilles, ballets, pastiches and comic operas over the course of three […]
Compiled from several Decca recordings made between 1964 and 1988, this portrait of Auber was created at Richard Bonynge’s specific request and supervised by him. Most substantial of these recordings is the ballet version which Auber made from his opera ‘Marco Spada’: 65 minutes of scintillating dance music, in the adaptation made by Richard Bonynge […]
Through scholarship, performance and recording, Richard Bonynge has done more than any other modern-day musician to advance the cause of Daniel-François-Esprit Auber, the foremost composer of opéra-comique in nineteenth-century Paris. What he wrote was ‘Simple, joyous and unsophisticated music,’ according to Bonynge: this is his sole recording of a complete opera by Auber. ‘Le Domino […]
Thomas’s opera Hamlet contains one of the most famous of all ‘mad scenes’ for the soprano, something of which Joan Sutherland made a speciality. In 1983, she recorded the opera in what was to be one of her final recordings of complete operas. The set is adorned with Michael Stennett’s beautiful portrait of Sutherland as […]
Aromatherapy, the quiet moments of classical music. And in the fourth volume, Music of the Night, there’s the ‘Barcarolle’ from Offenbach’s ‘Tales of Hoffmann’, slow movements from String Serenades by Mozart, Dvorak and Suk and of course, Chopin’s night music, celebrated by his popular D flat major Nocturne, Op. 27 No. 2.
This is one of the most successful and stylish of Don Giovanni recordings. Having sung Donna Anna in her early (Giulini) recording, Sutherland here is, if anything, even more spine-tingling in this role. Bonynge and the English Chamber Orchestra, together with the Ambrosian Singers, really deliver the goods and the rest of the stellar cast […]
Aromatherapy, the quiet moments of classical music. And the first volume, Music for Relaxation, offers a miscellany of classical pieces from piano (the first movement of Beethoven’s ‘Moonlight’ Sonata) to orchestral music by Grieg, Elgar and Borodin.
Although Sutherland and Bonynge gave many memorable performances of ‘The Merry Widow’ on stage, they never recorded it completely. However, this recording – sung in English – offers a choice collection of the opera’s ‘greatest hits’, including ‘Vilja’, the famous waltz and some of the big scenes in the operetta.
A sprightly recording of Respighi’s wonderful tapestry of Rossini’s music for the ballet stage is coupled with some of the most gorgeous orchestral playing you’ll ever hear in the Chopin/Douglas ‘Les Sylphides’. And to finish off, a much-popularised recording of the ‘Meditation from Thaïs’ – from a young Nigel Kennedy!
