A real rarity of the ballet world, this marvellous score, ‘rediscovered’ by Sir Frederick Ashton, was one of Decca’s most glorious recordings of ballet music by that pioneer of this genre, Richard Bonynge.

Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]

Christmas Eve 1974 was a nightmare for the inhabitants of Darwin (in Australia’s Northern Territory) when it was destroyed by a violent cyclone. A Darwin Appeal Fund was launched and a month later, on 25 January 1975, Richard Bonynge conducted a fund-raising concert at the Royal Opera House, Covent Garden. The idea was that of […]

‘Rodelinda’ stems from a period of great creativity in Handel’s life, 1724-25, following quickly on ‘Giulio Cesare and Tamerlano’ although it met with only moderate success. One of its first revivals was via the German Handel Society in the 1920s and then the Handel Opera Society revived it again, with a cast including Joan Sutherland, during […]

This is a 31-year retrospective (1956–1987) of great Wagner singing on Decca and Deutsche Grammophon featuring fourteen extracts from nine operas with seven great singers. Wagner’s heroines make for some of the most pivotal moments in his operas and this anthology highlights almost every aspect of his women – suspicious and inflexible (Fricka, here taken […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]

The late 1960s and early 1970s were a fertile period for the Bonynge–Sutherland duo. Whilst fulfilling a fiendish concert schedule, they produced a string of opera sets for Decca with leading artists of the day which have become classics of the catalogue: ‘La fille du regiment’ (1968), ‘Lakmé’, ‘Les Huguenots’, ‘Romantic French Arias’ (all 1969!), […]

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores, as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]