Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]

Ruggiero Ricci has enjoyed a varied and colourful discography on Decca and these recordings, are, apart from Prokofiev’s Second Violin Sonata, all comprised of music for solo violin. The Bach pieces date from the 1957 London sessions and the 20th-century pieces were recorded three years later at Victoria Hall in Geneva. Tully Potter’s perceptive liner […]

One of Bartók’s most popular symphonic works is his Concerto for Orchestra. Rafael Kubelik’s fabulous recording of it has long been out of the catalogue and is now restored to circulation at budget price. What’s more, it’s the first recording of the piece made by the orchestra for which it was written. Koussevitzky and the […]

This well-filled 2CD set – nearly 2 hours and 40 minutes long – presents Bartók’s major concertos (the Viola Concerto appears on another Eloquence CD). The three Piano Concertos appear in muscular and sumptuously recorded performances (one of the finest examples of Decca’s 1970s engineering at the venerated Kingsway Hall) by Pascal Rogé and Walter […]

Ernest Ansermet’s view of Bartók was a lyrical one and his incredible ear brought out lines, sonorities and shape in this music that have rarely been equalled. Here, collected together on CD for the first time, are his complete Bartók recordings for Decca as part of the ongoing ‘Decca Ansermet Legacy’. They include some of […]

Sylvia Sass was born near Budapest, Hungary, on 12 July 1951 to a very musical family. Her mother was a coloratura soprano and her father was a high school music teacher. She made her stage debut at age fourteen in Adam’s operetta Die Nürnberger Puppe and then commenced study at the celebrated Franz Liszt Academy […]

Both Pascal Rogé and Lorin Maazel were one of the mainstays of the Decca roster for several years, the former famed for the clarity of his vision in much French music, the latter recording vasts tracts of repertoire with both the Vienna Philharmonic and the Cleveland Orchestra, in often white-hot performances. The Franck Symphony blazes […]

Zoltán Kodály and Béla Bartók were Hungary’s two most important composers in the 20th century. They were both friends and colleagues, working separately and together to document and preserve folk music from Hungary and its surrounding regions. The music they collected strongly influenced their own compositions. Decca was one of the first major record companies […]

István Kertész’s recordings on Decca are legendary and many of them are now on CD on Eloquence – some for the first time. This generous 2CD set offers a unique coupling of two ‘fairy tale’ pieces by Hungarian composers: Kodály’s ‘Hary Janos’ (a ‘singspiel’), a light-hearted tale of the imaginary adventures of the Hungarian general (with […]

Indisputably one of the cornerstones of the string quartet repertoire as well as one of the masterpieces of the 20th century, Bartók’s six string quartets have been labelled ‘the greatest quartets since Beethoven’. Now, for the first time, the six quartets have been compiled onto two (rather than three) CDs with scholarly notes by Arnold […]

Between 1954 and 1955, the Hungarian pianist, Andor Foldes, recorded a substantial corpus of Bartók’s solo piano music for Deutsche Grammophon. Given his work with and close association with the composer, this is a significant reissue, and it is also the first time all four LPs (represented as per the original, across four CDs) appear […]

Some of Lorin Maazel’s first recordings were made for Deutsche Grammophon when he was merely 27. This collection presents vivid performances of three great twentieth-century ballet scores, all infused with the folk rhythms of their respective composers’ native lands – Falla’s Andalusia and Stravinsky’s Russia. Both composers also exploited the most sophisticated orchestral textures available to […]