Born in Vienna in April 1902, the cheery-looking Josef Krips seems to have been pre-destined to achieve eminence in the Viennese classics. He recorded with both, the Wiener Philharmoniker and the key London orchestras for Decca in the 1940s, 50s and 60s and the interpretations have genuine expressive power while remaining devoid of exaggeration or […]
During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of music by, among others, Mozart, Beethoven, Brahms and Weber. Reappearing here, for the first time on CD internationally, are his swift recordings of Beethoven’s Eighth and of two Schubert symphonies (Nos. 5 and 8). Never imposing his […]
All that was issued of a projected Fitzwilliam Quartet cycle on Decca was two late quartets – Opp. 130 and 132 – as well as the Grosse Fuge. Issued over two full-price discs and unavailable for more than two decades, they are now coupled as a 2CD Eloquence reissue. Some of Beethoven’s most visionary achievements, […]
In mid-1987, the Amadeus Quartet (under the slightly differentiated name ‘Amadeus String Quartet’ to distinguish them from their Deutsche Grammophon recordings) went into the studio to begin a projected cycle of the complete Beethoven quartets. In the event, they are the last recordings ever to be made by the Quartet, for the death of Peter […]
In the 1960s and 70s, Claudio Abbado made several recordings for Decca – orchestral works by Mendelssohn, Beethoven and Bruckner, as well as 20th-century repertoire by Hindemith, Janácek and Prokofiev. This recording is part of that legacy and there are plenty of magical touches – real swagger in the finale of the Seventh Symphony, dashing […]
Like the Beethoven symphonies, his concertos form a cornerstone of the standard classical repertoire and collected together here, on four discs, are all his major concertos in stellar performances. From the Haydnesque first concertos, to the serene calm, poise and beauty of the Fourth Piano Concerto and the Violin Concerto, to the swagger of the […]
Born in 1912 in Dresden and taught there both by Hans Schneider and in the famous class of Robert Teichmüller, around the age of 30 Hans Richter-Haaser moved to Detmold. At first he took over the artistic direction of the city orchestra. But by 1947 he had already been entrusted with a piano masterclass. This must […]
In 1819, the Viennese publisher Anton Diabelli asked ‘the most excellent composers and virtuosi of Vienna and the Austrian Empire’, to write a variation on a waltz theme he had composed. Beethoven was also asked and although he at first refused, he did finally deliver a cycle of 33 variations as his own contribution to […]
After a spell of recording with Decca, the legendary Wagnerian conductor Hans Knappertsbusch recorded for Westminster, and among his best recordings for this label is this 1961 recording of Fidelio, boasting a cast of great singers at the Austrian and German opera houses, including the much-loved Sena Jurinac.
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
Beethoven broke new ground in exploring the potential of the symphony, both in terms of its subject matter and its qualities as descriptive music. The title of each movement of his sixth symphony, outlines what is being portrayed and in the case of the bird-calls at the end of the second movement, Beethoven made a […]
