The Lyric Opera of Chicago was founded as recently as 1954 but within two years it had secured the services of many operatic stars of the day who were doubtless reassured of the quality and warmth of reception at the company by the trailblazing US debut of Maria Callas as Norma in its first season. […]
Is nothing sacred? The Cambridge Buskers bring their madcap humour to the greats of classical music – everything from the ‘Hallelujah Chorus’ and the ‘1812 Overture’ to Ravel’s ‘Bolero’ and the ‘Teddy Bears’ Picnic’! And not forgetting Beethoven’s Nine Symphonies in under four minutes… This 4CD set brings together the pair’s most famous albums, released […]
James McCracken (1926–1988) recorded the arias on the first half of this disc in 1969, four years after the duets he recordeed with his wife, mezzo-soprano Sandra Warfield (1921-2009). Both singers were in their prime leon during those years and in the decade following. These performances of distinction offer some of the sappiest and most […]
Ballet music was very much part of the great operas, sometimes inserted later for a bit of relief from the drama. Together with popular overtures – Rossini’s ‘Thieving Magpie’, Bizet’s ‘Carmen’ – this is a collection of some of those best-loved instrumental moments, some of which have even eclipsed the whole opera in popularity.
Opera has entrenched itself in popular consciousness thanks to the much publicised concerts of The Three Tenors, outdoor stagings of such operatic blockbusters as ‘Aida’ and ‘Turandot’, opera concerts in the park, not to mention their ready incorporation into television advertisements – be it a British Airways aircraft floating in the clouds to the ‘Lakme’ Flower […]
The first release on CD of favourite soprano arias recorded by Leona Mitchell for Decca with simply ravishing orchestral playing to boot.
Verismo at its peak. This fireball of a performance of Mascagni’s opera features Mario Del Monaco in his prime.
For their 1989 festival, the committee of the Mormon Tabernacle Choir invited Dame Kiri Te Kanawa to join the Choir and the Utah Symphony Orchestra under maestro Julius Rudel. The choice of repertoire remained open and Dame Kiri selected a highly appropriate program of inspirational works that she could share with the choir and its […]
Elena Souliotis, hailed as a successor to Maria Callas, resembled a comet that flashed brightly across the operatic scene and was all too soon extinguished. With a lifelong love of horseriding and the outdoors, she often commented that she preferred animals to people. She spent much of her childhood in the spectacular garden of her […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
In May 1946, when Milan’s venerable La Scala theatre reopened after World War II, conductor Arturo Toscanini selected Renata Tebaldi then 24, to sing music by Rossini and Verdi for that watershed concert. ‘Ah, la voce d’angelo’ – the voice of an angel – was Toscanini’s reported verdict. In her heyday, she was known as […]
