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Alfred Deller – Campion, Purcell, Buxtehude

August 20, 2019

For music-lovers who grew up between the 1950s and the 1970s, Alfred Deller (1912–1979) was the embodiment of the countertenor voice, just as Segovia was the guitar and Casals was the cello. Many who heard his earliest LPs will have applauded the words that Sir Michael Tippett uttered on first hearing Deller live, as early […]

Bruckner: The Nine Symphonies

August 20, 2019

The Vienna Philharmonic’s distinguished Bruckner tradition, documented through a series of superb Decca recordings from the 1960s and 70s on a Limited Edition 9-CD box set, with Original Jackets.   Founded in 1842, the Vienna Philharmonic gave a notoriously dusty reception to Bruckner’s Third when they played through it in rehearsal in 1874 and refused […]

Margaret Price in Recital

August 20, 2019

A song recital new to CD from a peerless lyric soprano, coupled with classic recordings of Ravel and Verdi.   In 1971 Andrew Porter wrote that Margaret Price’s voice was among the things that make one ‘glad to be alive’. In the 1960s she had recorded for a small Welsh label a recital of Welsh, […]

Brahms: Complete Orchestral Music

August 20, 2019

Kurt Masur’s burnished readings of Brahms’s orchestral music with the Gewandhausorchester Leipzig, issued as a Limited Edition box with Original Jackets.   Hardly less than with its founder, Felix Mendelssohn, the Leipzig Gewandhaus grew up with Brahms conducting and playing. For a sense of heritage, the orchestra boasts a Brahms tradition second to none. In […]

Handel: Sosarme

July 15, 2019

Alfred Deller’s only complete recording of a Handel opera. First staged at the King’s Theatre in London in February 1732 and revived two years later, Sosarme was not heard again in full (if not entirely complete) until a BBC broadcast in January 1955, conducted by Anthony Lewis. Conductor and performers then made this recording a […]

Songs for Courtiers and Cavaliers

July 15, 2019

Three L’Oiseau-Lyre LPs celebrating the art of a much-loved contralto, newly remastered and compiled together for the first time, including material new to CD. The history of British contraltos on record, extends beyond Kathleen Ferrier to Constance Shacklock and before her Dame Clara Butt but their select number was joined in the 1950s by Helen […]

Helen Watts – Lieder Recital

July 15, 2019

Presented on CD for the first time and newly remastered, a pair of Romantic Lieder recitals by the Welsh contralto who inherited the mantle of Kathleen Ferrier. The history of British contraltos on record, stretches back to Constance Shacklock and before her Dame Clara Butt but it was Ferrier who defined the sound of that […]

Handel: Cantatas; Arias

July 15, 2019

Of the works by Handel presented here, three are cantatas devoted to the Patron Saint of music, St. Cecilia, another is an Italian cantata that was probably presented for a private patron in Rome while the remaining two works are drawn from Handel’s unique set of ‘Neun Deutsche Arien’ (Nos. 4 & 6 in the […]

Erich Kleiber, Jean Martinon – The Decca 78s

July 15, 2019

Decca studio recordings made between 1947 and 1949 with the London Philharmonic Orchestra, newly compiled and remastered by Mark Obert-Thorn and including material new to CD. Decca first presented its ‘ffrr’ technology – full frequency range recording – in 1944, originally developed by the company’s engineers as a means of detecting and identifying German submarines […]

A Boy was Born – Britten, Vaughan Williams

July 15, 2019

Eighty minutes of Christmas at King’s: reference Argo recordings of Britten and Vaughan Williams capturing both the magic and joy of the season as well as the resonant glory of a famous acoustic. Britten’s genius as a choral composer centred around his ability to write rewarding parts for amateurs and young singers; his choice of […]

Hindemith: Ludus Tonalis

June 18, 2019

A 20th-century counterpart to ‘The Well-Tempered Clavier’ in a landmark recording, long unavailable, newly remastered and transferred to CD from the original tapes for the very first time. Hindemith wrote ‘Ludus tonalis’ in 1942 while staying in the US as a refugee from Nazi Germany. The hour-long piano cycle itself, finds refuge from conflict in […]

Wagner: Orchestral Music

June 18, 2019

Epic interpretations of orchestral music from Wagner’s music dramas, conducted by James Levine. In 1991 and 1995, James Levine recorded two albums for Deutsche Grammophon which have become known as ‘bleeding chunks’, in Ernest Newman’s phrase, from Wagner’s operas. Collected together for the first time on this Eloquence reissue, they form a comprehensive survey of […]