Georg Solti’s first recordings were as a pianist – those with the great German violinist, Georg Kulenkampff, here collected in their entirety. The two artists recorded Brahms’s G major sonata in February 1947 and Beethoven’s ’Kreutzer’ Sonata in June 1947. They completed the Brahms sonatas in July 1948. Sadly, this would be their only collaboration. Kulenkampff died […]
Zubin Mehta was one of Decca’s stars in the 1960s and 1970s, known more for his recordings of 19th and 20th-century repertoire than of the 18th. Yet, he has long had an abiding love for Mozart and conducts his symphonic and operatic music on a regular basis. Issued to coincide with his 80th birthday year, this 2CD […]
In the 1950s and much of the 60s, the great bass roles in the Italian repertoire and the title part in ‘Don Giovanni’, were synonymous with the name of Cesare Siepi. Gifted with a commanding presence on stage and a firm, sonorous, pliant ‘basso cantante ‘– a true successor to the mantle of Pinza and Pasero, […]
As part of the Eloquence series of early Solti recordings, this 2CD set features the conductor in music by Haydn and Mozart, recorded between 1949 and 1958. The 1949 recording of Haydn’s ‘Drum Roll’ Symphony and the 1958 recording of Mozart’s ‘Eine kleine Nachtmusik’ (recorded in spatial early stereo) make their first international appearances on Decca […]
The Vienna State Opera resumed its performing schedule very soon after the end of the fighting over the Austrian capital in 1945. As the ‘House on the Ring’ had been destroyed by direct hits, the company had to move to the Theater an der Wien though it had been closed since 1938 and was therefore […]
Taken from Anda’s much-vaunted complete recordings of Mozart’s concertos, Nos. 18 & 19 are here presented in performances that have held their sway for limpidness, clarity and unforced beauty.
Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
A collection of four of the most popular of Mozart’s sonatas, including the Alla Turca with its famous Rondo finale and the C major, KV545, sometimes called ‘for beginners’ and certainly played by many of them. Haebler delivers suitably eloquent performances.
Made early in Edo de Waart’s recording career with the superb Netherlands Wind Ensemble – probably the leading wind ensemble in the world – these are gloriously rich and autumnally-hued performances of two of Mozart’s greatest Serenades, coupled with a little-known Adagio.
Taken from Anda’s much-vaunted complete recordings of these concertos, Nos. 24 & 25 are here presented in performances that have held their sway for limpidness, clarity and unforced beauty.
Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
