Both Strauss’s ‘Elektra’ and Stravinsky’s ‘Oedipus Rex’ trace their lineages back to Sophocles, the Greek dramatist who lived in the fourth century BC. Both are stories of the avenging of a royal father’s murder, either by surviving family members (‘Elektra’) or by Fate or the gods themselves (‘Oedipus Rex’). Even from an early age, Georg […]

Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. Bartók’s music featured regularly in Solti’s concert programs and he recorded the ‘Music for Strings, Percussion & Celesta’ and the ‘Dance Suite’ for Decca. This 1952 recording of the ‘Dance Suite’ with […]

Georg Solti’s first recordings were as a pianist – those with the great German violinist, Georg Kulenkampff, here collected in their entirety. The two artists recorded Brahms’s G major sonata in February 1947 and Beethoven’s ’Kreutzer’ Sonata in June 1947. They completed the Brahms sonatas in July 1948. Sadly, this would be their only collaboration. Kulenkampff died […]

As part of the Eloquence series of early Solti recordings, this 2CD set features the conductor in music by Haydn and Mozart, recorded between 1949 and 1958. The 1949 recording of Haydn’s ‘Drum Roll’ Symphony and the 1958 recording of Mozart’s ‘Eine kleine Nachtmusik’ (recorded in spatial early stereo) make their first international appearances on Decca […]

Erich Kleiber was one of Georg Solti’s idols and it was a Kleiber performance of Beethoven’s Fifth Symphony that transformed his life and was the catalyst in his decision to become a conductor – a decision he made at the age of fourteen. The Schubert recording comes from one of only two recording sessions with […]

This collection of overtures – many of them appearing internationally on Decca CD for the first time – comes from the very start of Georg Solti’s recording career. That for Beethoven’s ‘Egmont’ was, in fact, his first recording as conductor, issued as a 78rpm record. The two Rossini overtures were issued as a 45rpm and […]

Choreographer, George Balanchine, gave many gifts to the American people – and to the New York City Ballet – but the most typically American and sparkling of these gifts was the ballet, ‘Stars and Stripes’ which was premiered in 1958 and has been revived many times since. Sousa’s music was adapted and assembled into a 30-minute […]

Beginning in 1961, Georg Solti enjoyed a ten-year tenure as Music Director of London’s Covent Garden Opera Company where he raised performance standards while giving British singers more prominence than ever before. These changes were not lost on Buckingham Palace and in 1968, Covent Garden earned the right to be renamed ‘The Royal Opera’. With […]

The Hungarian-born conductor Georg Solti (1912–1997) was one of Decca’s most prolific recording artists. Eloquence’s survey of his recordings features, in the main, some of his earliest recordings for the company. Although recorded as far back as 1960, during his tenure with the Royal Opera House, Covent Garden, Solti’s recording of ‘Gaîté parisienne’ remains one […]

Highlights from Solti’s thrilling reading of Aida, recorded in July 1961. With four of the leading Verdi singers of the 1960s and plenty of Soltian fire in the belly, this disc of highlights includes more than 71 minutes of music, featuring all the great arias and scenes – ‘Celeste Aida’, the ‘Triumphal March’ and the final […]

Commissioned for the Chicago Symphony Orchestra and dedicated to Georg Solti, ‘Final Alice’ is scored for gargantuan forces and is based on the last two chapters of ‘Alice’s Adventures in Wonderland’. It has been described by the composer as a ‘grand concerto for voice and orchestra’and an ‘opera written in concert form’. The solo part […]

Now considered one of the most important of 19th-century symphonists, during his lifetime, Bruckner was the subject of incomprehension and ridicule. Georg Solti made two recordings of this symphonic edifice. While his Chicago recording has been in regular circulation, this much-requested reissue of the Seventh with the Vienna Philharmonic has lain dormant for far too […]